The reading journeys of Pat and Mary

Sisters Mary and Pat were happy to be interviewed for Reading Sheffield by Mary’s daughter, Ruth, although neither wanted to be recorded. The short, verbatim notes Ruth took give a strong sense of the sisters’ personalities and of the importance of books in their lives.

Three sisters in Colwyn Bay, 1946. Pat, aged 20 is on the left, Mary, aged 23, is in the middle and Jean, aged 17, is on the right.

Mary’s journey

Mary was born in the Sheffield suburb of Tinsley on 24 May 1923. She left school at the age of 14 and had a job in a sweetshop until she was about 20. She then worked for the Co-Op, in their offices in Tinsley. Mary was a devout Methodist and, through church, met her husband Jack, who worked on the railways. The couple had two children, David and Ruth. Mary always regretted being unable to continue her education, and did become a mature student, studying for a while at the Open University.

Nobody read to me when I was young. I don’t think it was something people did back then. There were so many jobs to do around the house. My mum took in washing.

The books that made me feel like a grown-up were mainly the classics. I was about 16 or 17 and started to read Jane Austen. I loved Pride and Prejudice and Emma. I also read Charlotte Bronte and Anne and Emily too, but my favourite was Charlotte. I loved Jane Eyre. I also read some Thomas Hardy but got bored with his descriptions sometimes. So, yes, Jane Eyre made a great impression on me, as did Anne of Green Gables. But I can’t for the life of me remember where I got them from. Probably the library but I couldn’t swear to it.

Come to think of it, I think I did get my books from the library and it must have been Tinsley Library. I can’t remember there being many books at school, though there must have been some.

My parents didn’t really value reading. My dad, who was a miner, sometimes read a newspaper. I can’t remember my mother reading at all. I think they were suspicious of books and novels, thinking we’d get ideas above our station or that we were filling our heads with fantasy. Work was what they valued and they didn’t really think education and school were worth much. I passed the exam to go to grammar school but my parents wouldn’t let me go. They thought the uniform was too expensive and, as I was the eldest of three sisters, they said that, if they sent me to grammar school, they would have to pay for my sisters to go too. But, as it happened, neither of them passed the exam for grammar school. I really wish I’d had a better education. I love literature and I’m in a book group now. I’m 88 years old.

I used to read in our living room and everyone told me that, when I was reading, I got totally lost in the story and never heard anyone if they spoke to me. I’d read after work in the evening and in bed too.

I don’t think I had any idea about highbrow or lowbrow until I was in my twenties. Then I thought there were good and bad books. Love stories I thought were bad but then Jane Eyre is a love story and so is Rebecca by Daphne du Maurier and some Georgette Heyer, which I don’t think is highbrow. Maybe the middlebrow section.

I’d re-read all the books I read as a young adult, including the Mary Webb collection I had, but I think they’ve been lost. I loved those books.

Without reading I would probably have gone mad! It’s a cheap but really rewarding pastime. I’ve learnt so much from books and I think it makes you understand the world better.

Gertrude and Ernest, the parents of Mary and Pat

Pat’s journey

Pat was born in Tinsley on 7 April 1926. She was christened Gertrude Ada, but disliked the names and called herself Pat when she was around 20. Her niece Ruth describes her as ‘quiet, beautiful and glamorous’. According to family legend, Pat had several proposals of marriage but declined them all. She stayed at home and was, Ruth says, devoted to her parents and younger sister, Jean.  

Nobody read to me when I was young. Like my sister Mary, I enjoyed the classics. I read Little Women and Jo’s Boys which made me feel that I was an adult, though I’m not sure that they are adult books, are they?

Pat, at her sister Mary’s wedding

I think I got my books from the library and from work. I worked as a wages clerk at Shefftex and me and some of the girls would swap books. I used to enjoy the Dimsie books[i] but I think they were aimed at teenagers though I still enjoy them now. I remember all the Dimsie books and they did affect me. I suppose I wanted to live the life Dimsie lived. It was all so exciting and adventurous.

I always liked historical novels and still do. I go to the library at Greenhill every Monday morning but I’m not in the reading group that Mary’s in. I don’t want to talk about what I’ve read. I might say the wrong thing.

Some of my books came back from Sunday School when I was a child but I can’t remember what the books were. I think they might have been Bible stories. Nobody encouraged me to read and I wasn’t very clever at school but I always read – always. Without reading I don’t know how I would have occupied myself. I knitted and did a bit of sewing but reading has always been my favourite occupation.

I never married and I never had children so I’ve been lucky having had free time to read.

I’ve read everywhere. I used to read at work if it was quiet. Nobody encouraged me to read. I just did. Maybe I copied my older sister Mary. I do watch TV but I read more than I watch TV.

In the years you’re talking about, we had poor lighting really and I was always told that I’d ruin my eyes. When I was younger, we had gas lamps which weren’t very good really.

I particularly liked Georgette Heyer, Mary Webb, Daphne du Maurier and Jean Plaidy but I can’t remember individual titles, apart from the classics. When I see the serializations of the classics, I’m nearly always disappointed. I think it spoils your imagination. You have an idea of what the characters look like and when you see famous actors taking those parts it spoils it for you.

Reading has been very important in my life. When I’ve been fed up, a book has always succeeded in making things seem better.

Many thinks to Ruth for taking these notes.

[i] The Dimsie books, written by Dorita Fairlie Bruce between 1921 and 1941, told the story of Dimsie and her friends at boarding school and at home

Anne’s Reading Journey

Anne was born in the north of Sheffield on 5 August 1944. Her parents owned a bakery in Hillsborough. Anne has been a keen reader from an early age and has remained so.  She trained as a Religious Education (RE) teacher at college in Leeds and was also involved in the Girl Guide movement for many years, as both a Guide and a Guider.  She has two daughters and grandchildren.

Here Anne remembers how she encountered that most notorious book, Lady Chatterley’s Lover.

Licenced by Twospoonfuls under Creative Commons Attribution-Share Alike 4.0 International licence

Licenced by Twospoonfuls under Creative Commons Attribution-Share Alike 4.0 International licence

Anne read well from an early age: ‘I was away ahead,’ she says. At first it was fairy stories and nursery rhymes, and then books familiar to most people growing up in the mid-20th century.

I was well into Enid Blyton at a fairly young age and then as I got older I sort of went more on to the classics. I remember reading The Children of the New Forest when I was about 13 and that became one of my top favourites. … The Chalet books in my early teens were my passion and I owned practically every single one at some point. I’ve still got a lot of them up in the loft.

Of the classics, David Copperfield and Jane Eyre were the ones Anne liked best, but although she tried, Jane Austen wasn’t for her. ‘I just couldn’t stick it,’ she says.

Membership of the public library and her school and college studies kept Anne reading, although she doesn’t sound as if she needed much persuasion (‘I just read anything I could get my hands on’). She belonged to Sheffield Libraries from an early age, walking there alone and choosing her books without any help from the librarians.  When, at the age of 15, she transferred to the City Grammar in the centre of Sheffield, she joined the Central Library, encouraged by a friend, Kath.  Kath ‘was doing literature and so was very much more into proper books, adult books’.  Anne dates her transition to ‘grown-up novels’ from her friendship with Kath.  In those days Anne usually looked for books which had some relevance to her history and RE courses, such as Jean Plaidy’s books on the Tudors and novels like Lloyd C Douglas’ The Robe.

No-one ever made Anne feel that reading was a waste of time. Both parents were busy with their business, but were happy for their daughter to read:

…Oh no, I mean [my mother] was an intelligent person, she knew the value of reading, she just didn’t do it.

Then our interviewer asked if Anne was ever made to feel embarrassed or guilty about reading.  Only when she came across D H Lawrence, Anne replied.  And the story came out.

I found my dad reading surreptitiously, which was totally…I mean it was when it was all in the papers about the …[laughing] I remember he pushed it under the pile of newspapers in the cupboard and I found it one day and I started doing the same thing and reading it surreptitiously. There was always a half hour part of the day, when I got in from school before they came back from work,  that I’d got to myself and I used to read it. I worked my way through it. That was the only time and I knew I shouldn’t be doing it so I never let on. I don’t think my mother knows today that I ever read it.

Perhaps your father didn’t think he ought to be doing it either, suggests our interviewer. Probably not, Anne agrees, saying ‘he probably kept it out of sight from me’.

This happened around 1960, when Anne was a teenager. This was the time of the famous trial under the Obscene Publications Act, when Penguin Books re-published Lawrence’s novel (for the first time since its initial publication in 1928) and challenged the Director of Public Prosecutions to prosecute.  The book was a huge success, with copies selling out as soon as they arrived in bookshops.

The trial, that was why everybody read it! Everybody knew about it. I did some more D H Lawrence as well.

Anne, however, did not particularly like the Lawrence novels she read. ‘ I read them but I wouldn’t say I’d want to read them again.’ She was shocked by Lady Chatterley, she says, because she was ‘totally innocent in those days’.  But she

didn’t know what the fuss was about for most of it.

Here is Anne’s full interview.

Jean W’s Reading Journey

Jean was born in 1933 and grew up in Sheffield. After leaving High Storrs School she married and had a family. Later on she trained as a teacher of English and French.

Jean’s recollection is that when she was small her parents were very busy and therefore didn’t read to her much. However, she still became an enthusiastic reader.

I learnt to read when I was… I think five, almost as soon as I started school, and got very bored because there wasn’t any stimulation in school.

So at the age of seven she joined the Children’s Library in Sheffield and from then on made weekly trips in search of suitable books. In addition her parents bought her Arthur Mee’s Children’s Encyclopaedia, ‘all twelve volumes which I devoured.’Also from that time Jean remembers Grimm’s Fairy Tales and Hans Christian Anderson.

The library trip was very important. Jean and a friend would go into town for music lessons and then go to the library and also to Andrew’s, a shop in Holly Street which had a lot of children’s books. They saved their pocket money and bought books which they shared.

Jean Wolfendale at High Storrs School 1950

Jean Wolfendale at High Storrs School 1950

Once at High Storrs School she began to read classics like Walter Scott and Jane Austen as well as lighter books, such as The Forsyte Saga, Little Women, W.E Johns’ Biggles books and Malcolm Saville. She remembers getting from the library all Mazo de la Roche’s Jalna novels,

I absolutely loved them. I couldn’t wait to find the next one in the series from the library.mazo-de-la-roche-2

 

PSX_20160718_194341

She also read Hugh Walpole and some Dickens and began to move towards adult books. She recalls enjoying the novels of Frances Parkinson Keyes, ‘very meaty, very long novels’. Also Dornford Yates whose books she found ‘screamingly funny’.

I shouldn’t find them funny now but I did then…I used to annoy my parents by sitting in the corner and laughing at the books and they couldn’t understand why. They were fascinating.

Jean’s parents always encouraged her reading and as she puts it

The only other thing to do in the evenings,apart from school work,was to listen to the radio, which obviously we did as a family, but, yes reading was very much encouraged.

The Red Circle Library on Snig Hill,which Jean’s mother belonged to was another important source of books. This stocked popular fiction,such as crime fiction and westerns, not found in the public libraries. By contrast Jean described the latter as ‘very much more erudite’. She read widely and was aware of reading both high- and low-brow books. School was a

very, very strong influence and it was very much, ‘Children, girls, you must read uplifting books’..we were very much discouraged from having, for instance, comics or anything like that. I had something called Girl’s Crystal which was quite a decent comic but you couldn’t possibly have mentioned that in school because that wasn’t the done thing as it were.

She remembers Geoffrey Thorne for light reading and John Buchan, who was seen as ‘more approved of,much more literary’.She and her father shared a liking for Nevil Shute’s books. He also liked Denis Wheatley’s novels but didn’t think they were suitable for Jean; however, she read them on the quiet.

She enjoyed historical fiction, for example, Anthony Hope’s The Prisoner of Zenda, D.K.Broster and Anya Seton.She tried Georgette Heyer and Jean Plaidy but didn’t particularly enjoy them.She has fond memories of A Traveller in Time by Alison Uttley, ‘That was one that absolutely fascinated me as an early teenager.’

But she devoured all kinds of literature. She belongs now to a group of ex-teachers who swap and talk about books. Of the importance of reading to her, she says,

I can’t imagine a life without it and in fact at the moment I’m beginning to have some trouble with my eyes and I can’t read for long and that is a real hurt, you know.

 

 

Pat Cymbal’s Reading Journey

Image

By Thecla Wilkinson

Pat was born in Sheffield in 1926. Her father was Russian and originally a master furrier. She went to Abbeydale Grammar School, leaving at sixteen to go to art college. She worked in fashion, becoming a buyer for J.Walsh and then Debenhams. In her forties she left Debenhams to train as a teacher and taught in London and at the High School in Sheffield.

pat-age-2-furs-2

Pat’s parents were both great readers. Her mother read her fairy stories such as those by the brothers Grimm and Hans Christian Anderson and also Alice in Wonderland. Her father didn’t read her children’s stories but told her tales from the Greek myths and read Tennyson’s Idylls of the King over and over to her so that, as Pat says

When I went to grammar school, we started to do Tennyson and I could recite whole wads of it off by heart, you know, before we started. I still can to this very day.

Pat doesn’t remember reading any children’s books as such apart from a small set of hardbacks called Swiss Stories, one of which was Heidi. She says that she was encouraged to read by example rather than directly,

To me it was just normal to read.

Books came from the library mainly. Not many were bought, although her father would sometimes buy books which the library was selling off. In her teens Pat read the books her father got from the library; from this time she remembers Rider Haggard, P.G.Wodehouse, Damon Runyon, Jerome K. Jerome and Sanders of the River by Edgar Wallace.

pat-cymbal-rider-haggard

Then she began to get books from the library herself and mentions The Rubaiyat of Omar Khayyam. She borrowed this after seeing the film of The Picture of Dorian Gray which had a quotation from it at the beginning.

From this time she remembers working her way through Agatha Christie and then Ngaio Marsh, Erle Stanley Gardener and Raymond Chandler. She also read and still reads a lot of history and biography, from the Roman emperors to the autobiographies of Peter Mandelson and Alistair Darling.

She also enjoyed books which made her laugh such as How to be an Alien by George Mikes, The Education of Hyman Kaplan by Leo Rosten and 1066 and all That by Sellars and Yeatman which she still goes back to sometimes.

If ever I feel downhearted, I go and get that off the shelf. I mean, in no time I’m laughing.

Pat doesn’t think that the war affected her reading. Because her father had a Russian passport, none of the family was allowed to join up. Pat moved from school to art college and continued to read. There was no television, of course, but even later television didn’t stop Pat reading.

It sometimes made me read. For instance, I was watching Wallender, which I think is marvellous, so I have now ordered from the library some of the books.

pat-cymbal-age-27-2

When Pat was working as a buyer and travelling a lot for work, she used to buy paperbacks to read on the train. The Day of the Triffids is one she recalls vividly,

I sat down to read and all of a sudden we were in London….It really gripped me from the beginning.

pat-cymbal-modelling-age-40's-5Pat had read some of the classics, for example, Jane Austen, when younger but it was when she started teacher training that she read George Eliot and the Brontes.

wuthering-heights-wordsShe also became interested in Greek plays, particularly those of Euripides because he writes about strong women.

Pat likes to re-read favourite books especially if there has been a new film or television version,

I re-read it to make sure I’m not daft and they are.

But there are books which she has gone back to only to find them unreadable, such as Rider Haggard and Agatha Christie, saying of the latter, ‘Poirot, for instance, what an abominable little man he was in her books’.

Pat has been a great reader from childhood and still reads widely.

I read in bed. I wake very early and I read for a couple of hours every morning before I get up.

Does Pat think that reading changed her life?

For one thing it’s changed it for the better because I’ve always enjoyed reading and anything you enjoy and is educational can’t be bad, can it?

 

Pat-89

Delia’s Reading Journey

Delia was born on 5 October 1942 in Stannington, near Sheffield, where she grew up.  She was educated at Stannington County Primary School and, after the 11-plus, at Ecclesfield Grammar. She married and moved to Rotherham, where she had her children.  Later she went to night school to study literature. 

I just used to live in the books, you know, I was always reading, well, as I am now.

Early on in her interview, Delia comments on the impact of books – of fiction – on a child’s imagination.   As she talks, book after book, author after author, come back to her, often not thought of in years but now vivid and clear, like set pieces.

‘About the first book [Delia] can remember’ was a Christmas present about a ‘pig called Toby Twirl, and his friend, I think, was a penguin’.  Delia is right.  In these 1940s and ‘50s picture books by Sheila Hodgetts, Toby was a pig who looked rather like Rupert the Bear and had a penguin friend called Pete.

After Toby Delia learned to read.  She particularly enjoyed books set in the countryside, all handed down from her elder sister:

The Twins at Hillside Farm …  It was lovely, that.  It was about two children, twins, living on a farm in some country place and it would tell things about milk separators and things like that.  And there was one called Ranch on the Plain, which was about cowboys.  And The Girl from Golden [sic].  Oh, and another one that I really liked they called it A Pair of Red Polls, and it was about two red-headed children who lived on a farm.  But I couldn’t tell you any of the authors.  But that was between … I’d say I read those between five and seven years old.

Delia says she ‘used to like these books about children who lived on farms for some reason’.  Perhaps this was because the countryside was all she herself knew and so a lasting connection was made:

No, it was really countrified around Stannington in those days. I mean, not like it is now. It was very much … It seemed miles away from Sheffield, miles.  You had to go on one bus to Malin Bridge, and then catch a tram into Sheffield town centre.  So I think I must have been about five before I even went into the town centre.

And the interest in the countryside stayed with her.  In her early 20s, Delia started reading Thomas Hardy, whom she still loves: ‘I read all his books because I liked the Dorset theme to them.’

As a teenager, Delia read a book called The Secret Shore, by Lillie Le Pla.  Why she remembers this so well she doesn’t say, but 60 years later she can describe it in detail.  The images or characters in some books simply take up permanent residence.

Oh, and I remember reading one by a lady called Lillie Le Pla and it was called The Secret Shore and I think it was probably about the Channel Islands, which is somewhere that I love now.  I remember reading that one, it just came to me, it had a blue cloth back.  And it was about some … It was about a girl who would … I’m not sure if her dad had died, but they lived in this house and she found this tunnel through the cliff and there was a gate in it.  And that led up to this man’s house, and she used to go straight on and it led down to the secret shore.  And I remember this man, I think he must’ve been some connection of her mother’s because he bought her a lovely watch for her birthday.  I just remembered.  And then I think in the end there was a happy ending where they got married, where he married her mother.  I can’t remember all the circumstances, but it was about this shore that she used to go down to and be on her own and find shells and things, you know.

LePlaSecretShore

In her later teens, in the early 1960s, Delia was working her way through popular authors like Elizabeth Goudge, Anya Seton and Agatha Christie.

Anya Seton, it was Katherine, she wrote.  Yes.  I remember reading that and The Herb of Grace, Elizabeth Goudge.  And Agatha Christie of course, I used to read all the detective books.  I used to love detective books.

The mention of Anya Seton sparks something:

… Dragonwyck, that was another Anya Seton one.  Have you heard of that one?  It was a film as well, an old film.  Foxfire, that was another one.  And My Theodosia, that was another one.  Yes.

Now that she was older, Delia started getting her books from the Central Library in Sheffield, going there with a friend after work.  It was amazing, she agrees, to have that much choice after small school libraries and the like, and so she started with the familiar.

I made for the authors that I knew. I started with Elizabeth Goudge and Anya Seton in the school library and I sort of went for those books again when I went to the main library.  And then with Agatha Christie as well, they’d always got the latest one.  And I can remember one that I never read but was advertised in Sheffield Library.  It was Frank Yerby – The Old Gods Laugh.  And I used to see it advertised on the counter and, you know, I never borrowed that book and I still don’t know what it was about.

YerbyOldGodsLaugh

Asked about Frank Yerby, Delia admits she knows nothing about him.  But the image of his book  – Sheffield Libraries always did lots of displays – has for some reason stayed with her, buried deep in her memory, and has been retrieved during the interview.  ‘Came back to me when I was talking to you, you know, about Sheffield Library. I just remember that one.’  For the record, Frank Yerby (1916-1991) was the first African-American writer to become a millionaire and the first to have a book, The Foxes of Harrow, made into a movie.  Here is a review of The Old Gods Laugh, which is not encouraging.  Perhaps it is best that Delia never read it.

A little later, reading came to mean respite, with Delia borrowing books from the library in Rotherham where she now lived:

No, I’ve never dropped off reading because in 1963 I got married and immediately became pregnant with my first child and books were a wonderful escape from housework and crying babies.

The urge to read became an urge to study.  When she had had all her children, Delia ‘went to night school for English Literature’ and has now read widely among classics and older novels.  ‘Yes, I’ve read most of those classic ones.’  She readily lists: Charles Dickens (‘I liked David Copperfield’), Mrs Henry Wood (‘Victorian melodrama-type thing’), Tolstoy, Nathaniel Hawthorne, Scott Fitzgerald, Mrs Gaskell, Evelyn Waugh (‘Oh, Evelyn Waugh, I love those’), Iris Murdoch (‘I can’t get on with [her]’), Gustave Flaubert, Anthony Trollope, Arnold Bennett, the Brontës (‘I liked Jane Eyre’) and Jane Austen.

But – another impression – school almost destroyed Jane Austen for Delia (as it has other authors for other people).

Pride and Prejudice we had to do at school … We did it for O level.  And, uh, the way you do it at school, you’re bored to tears by it, absolutely bored to tears by it. … Yes, we had to go back and forth over it and I got fed up with it.  But I’ve read it since and enjoyed it.  I’ve read all the others as well.

Pride and Prejudice: Mr Collins proposes

Pride and Prejudice: Mr Collins proposes

At one point in the interview, Delia is asked:

‘Were you what they describe as a bookworm?  Did you immediately take to it?’

‘Oh yes, yes,’ she replies, ‘I was one of the first in the class to do what they called silent reading.  So once I’d mastered silent reading, I just never stopped.’

Jocelyn’s Reading Journey

Jocelyn Wilson was born in Sheffield in 1926.  She was educated, in wartime, at boarding school in Kent and was evacuated to Cornwall.  In 1948 Jocelyn married and in time had children.  In the 1970s and ‘80s she was a social worker.   

‘Did your parents ever say, “Don’t waste your time reading a novel”?’ ‘Oh no, never.  Nobody ever said that.’

How do we choose books?  How do we decide what to read?  And how do we judge our choices?

joycelyn-wilson2-ok

Looking at her interview, you feel that Jocelyn W, who read widely and had excellent recall, was confident in her opinions and happy to defend them.  The quality of books, her own and others’ perceptions and the value of reading all lie just beneath the surface of her story.

Jocelyn was born into a comfortable, middle-class family in Sheffield in 1926.  Her first books were typical for that background and period – Alice in Wonderland, The Enchanted Forest, Cecily M Barker’s Flower Fairies and other fairy stories.  Predictably, they were chosen by her mother and a ‘very dear nanny who was into reading herself’.  Later, Jocelyn’s older sister helped her find books too.  Nanny and Jocelyn’s parents all read aloud to the children.  Jocelyn didn’t say so directly, but her first books seemed to have all the impact any parent could have hoped for: Jocelyn described them as stories ‘that made your imagination race’ and remembered them clearly 80 years later.  The Flower Fairies for example, she said, were ‘part of one’s history’.

After this promising start, things went less well.  Books were in short supply in Jocelyn’s life.  At first this was because her family lived ‘on the fringes’ of Sheffield and ‘it was quite a journey to go anywhere where there were books to be lent’.  Then World War II intervened and Jocelyn, by now at boarding school, found herself being evacuated to remote Cornwall.

And I remember after a birthday having a book token and having great difficulty in going to a bookshop in Newquay, Cornwall, to find something to buy.  And in the end The Heir of Redclyffe.  I can’t remember who wrote it but it was a pretty frantic book, I remember.  But there was so little choice.  And I think that’s one of the things we forget now ‘cos there are so many books of every kind, good and bad.  And then there were very, very few.

This early experience seems to have had a lasting effect.  Jocelyn said:

But of course it’s difficult for people nowadays to realise how few books came out and they were rare beasts and you waited for your birthday to get a copy.  Now there’s so much; you go to a bookshop and I’m overwhelmed.  I can hardly ever choose anything ‘cos there’s too much to choose from and it’s difficult to find what you really want.

Another effect of this shortage was that Jocelyn ended up reading what was available – the books on the family bookshelves – just because they were there.  She considered herself lucky.  ‘I think people forget now that it was like that.  You could be in a situation where you hadn’t anything new to read.  It seems incredible now, doesn’t it?’

Jocelyn’s family continued to influence her choices and judgments.  Her mother was ‘interested in books.  And so there was a good wide variety of classics’.  Jocelyn remembered reading, for example, Precious Bane and Mary Webb’s other novels.  ‘My mother was very sensible; she never said, ‘Don’t’.  She was very good; she was highly intelligent and we valued what she thought.’  (Jocelyn’s father tried too, but was rather less successful: suggestions like G A Henty were rejected as ‘boy’s own stuff’.)

School was the next big influence on Jocelyn, and it was there that her own judgment began to emerge.

… I did a project on keeping a notebook of all the things I’d read … I know that it was criticised by the person who taught English at school, saying, ‘I can’t think why you read all this rubbish when you’re capable of reading something so much better.’  You see, it had gone through the whole range.  But that was important in order to learn what was rubbish and what wasn’t.

joycelyn-wilson-3-copy

What was this ‘whole range’ that formed Jocelyn’s taste?  Over the years, there were:

  • classics like Jane Austen (‘she writes with such a deft touch’)
  • literary fiction, as we might say today, with authors like Marghanita Laski (Little Boy Lost ‘tore everybody’s heart to pieces’) and Rumer Godden (‘very delicate in her writing, sensitive and she touched one’s heart’)
  • popular, middlebrow authors of the day: Nevil Shute (‘wonderfully good stories’); Daphne du Maurier (‘anything she wrote was grist to the mill’); Queens of Crime like Dorothy L Sayers and adventure writers like John Buchan; Mazo de la Roche (whose Jalna books were the ‘original soap opera’)
  • ‘rubbish’ like ‘Oh Baroness Orczy and that sort of thing, The Scarlet Pimpernel. Oh good old rubbish, that’.

Rubbish was not, however, as clear-cut as it might seem.  For one thing, Jocelyn was becoming confident enough to reject other people’s opinions:

Oh yes, but I don’t count [Georgette Heyer] as rubbish … Of course she was a great storyteller, wasn’t she?  And of course historically very accurate.  There were things to praise about her.  Even though the stories were romantic fiction in the very highest level.

And sometimes rubbish could be the thing: ‘And if you’re not feeling very well, rubbish is what you want!’  If it was what you needed, could it be rubbish?

What Jocelyn would not accept was the badly or carelessly written.

I think that now I can only read things that aren’t badly written.  Sloppiness is what really gets me; and I think a lot of writers nowadays are very sloppy; they don’t do their research properly.

joycelyn-wilson-2-copyok

So Jocelyn developed her approach: reading widely; making her own assessments but open to influence; seeking out high quality but understanding the worth and pleasure in lower quality.  This seemed to stand Jocelyn in good stead throughout her life.

… I didn’t read George Eliot until much later on; I came to ‘Middlemarch’ as a grown-up person.  It’s a wonderful book, isn’t it?  They’re very raw, some of those books by George Eliot.

…I still can read Arthur Ransome books.  When I was laid low with a back injury two years ago. the thing I chose to read was Winter Holiday and I loved it and it took me back.  It’s well-written and that’s the key, isn’t it?

I [chose Dracula for book group] and the men sort of withdrew in horror.  A lot of them wouldn’t read it.  It was quite interesting.  The women mostly did.  But I think it’s a marvelous book.  I keep turning the pages to find out what’s next.  I can’t believe it … It’s not even particularly well-written; it’s a most ridiculous story.  So why are we fascinated with Dracula?  I’m jolly glad I read it.  [But the men] weren’t going to waste their time reading ‘rubbish’ … I said, ‘I know it’s rubbish.’

joycelyn-wilson-4-copy

by Val Hewson

Read or listen to Jocelyn’s interview in full here.

Shirley Ellins’ Reading Journey

One of Shirley’s first memories of books begins at floor level – with the small, wooden bookshelf in the dining room which contained her mother’s library books.  There were just 4 or 5 novels, whose titles she spelled out when she had learned to read (before she was 6 in 1942), but whose contents she ignored.  These library books ‘came and went’, and Shirley didn’t open them.  Much more to her taste was The House at Pooh Corner which she remembers – again from the floor – where she fell, helpless with laughter, from her miniature chair as her mother read to her.

shirley-ellins-painting

But there are many bookshelves in Shirley’s reading journey.  The three shelves of the bookcase in the family living room contained books belonging to both her parents, ‘our personal books’, some of which she read – reference works like Arthur Mee’s Thousand Heroes, biography like Robert Southey’s Life of Nelson, Charles Kingsley’s Water-Babies, her mother’s complete Shakespeare, won from Crookesmoor School for ‘Progress’, and her parents’ tune books from the Methodist church.  As she grew older, her own books – given to her by family and friends at birthdays and Christmas – were added to these shelves, for reading was a downstairs activity, not allowed in her bedroom, which was for sleeping – ‘lights off’.

‘Half a recollection of a bookshelf in a classroom’ in Shirley’s junior school reveals The Pigeons of Leyden, a historical novel about the siege of Leiden, a book which inspired her at a very young age to become a history teacher.  Then there were trips every Saturday by the ‘ladies of the household’ – Shirley, her mother and grandmother – to Sheffield’s Central Library, where the children’s and adult libraries provided Shirley with shelves of Biggles, Arthur Ransome and John Buchan, and the historical novels of G. K. Henty, D. K. Broster, and the huge output of Baroness Orczy.

At the same time, a whole room of bookshelves gave her pleasure at her secondary school – High Storrs School – where she would go to the school library and ‘sit and read there, a bit for pleasure, before I had to go down to the classroom’.  There she read the Greek myths, and pursued an interest in poetry, Kipling in particular.   Her taste was shaped by exposure to the school’s set texts, some of which she ‘mercifully seem[s] to have forgotten’, while some, like Paradise Lost, offered her rewards she would have missed had they not been required reading.  But also chance played its part in moulding her preferences – catching chicken pox, for example, meant she had the leisure to read ‘the whole of Jane Austen, one after the other, to take my mind off the itching’.

At Bedford College, where Shirley read History, she managed to keep borrowing novels from the library and buying poetry – Donne, Kipling and Betjeman were favourites.  And as a teacher of history, she filled her bookshelves with history books, and also history and guidebooks related to the holidays abroad she started to take now she could afford it.

shirley-ellins-0619

Later, Shirley’s marriage was ‘a marriage of two minds and the marriage of two libraries too when we got together’.  So her bookshelves, like those of her parents,  continued to tell the story of interests pursued, preferences arrived at, and choices made. And there will be many of her students, in Sheffield and elsewhere, whose own bookshelves now bear the imprint and influence of Shirley’s voracious reading and her generous life as a teacher.

by Loveday Herridge