Jean Wolfendale

Jean Wolfendale

Jean was born on 7th March 1933.

She is being interviewed by Sahra Ajiba on 14th October 2011.

SA:  This is an interview conducted by Sahra Ajiba, S-A-H-R-A A-J-I-B-A. It is 14th October 2011. I am interviewing Jean Wolfendale, J-E-A-N W-O-L-F-E-N-D-A-L-E. She was born in 1933 on 7th March and lived in Meadowhead and Norton between 1945 and 1965.

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Jean in the entrance to High Storrs School 1950

So, Jean, to start, did anyone read to you when you were young? Or how did you … gain your keen interest in reading when you were younger?

JW: Mm, yes, I think my parents read to me a little but not a lot because they were both, er, very busy people. I learnt to read when I was … I think five, almost as soon as I started school and got very bored because … … there wasn’t any stimulation in school. So, …  my parents took me to the children’s library which was in, well, where it is now, in the middle of Sheffield and I was enrolled there as soon as I was seven.  I think you couldn’t join before you were 7, …, and after that it was a weekly trip to the library to get suitable books. Mm … but I’ve always just loved reading … mm … They also bought me Arthur Mee’s Children’s Encyclopedia, all twelve volumes which I devoured, starting with the fiction and gradually got onto the more, erm … what’s the word … academic things, but the fiction and the poetry were the things that attracted me at that age. The trip to town became a very regular thing.  I had a close friend.  We went to music lessons in town and then from there we would go to … , the library and also to … a shop on Holly Street, Andrews, where they had the most wonderful display of children’s books, and we would save our pocket money and buy a book as often as we possibly could.  Then we’d share them. By ‘45, which is I think the time you’re wanting to talk about, I was at High Storrs School, I’d be a second year then, and of course we were very much encouraged to read the, sort of, [bimmer] [unclear word] classics.  I had Ivanhoe as a prize at one point.  So I read a lot of Walter Scott and a lot of Jane Austen.  Mm … for a sort of lighter reading there was Little Women and, er [long pause], let me think.  Oh, yes the Forsyte Saga, John Galsworthy.  My friend and I ploughed through all seven volumes of that, which we thoroughly enjoyed.  Erm … what else? [long pause] Let me think [long pause]. For light relief, yes, there were Biggles books which were all about wartime exploits and, of course, it was in … well, it was the end of the war but we’d been brought up through the war so that was all very, very … mm … what’s the word again … oh dear, I do hate this.  It was in the top of our minds sort of thing so there were the Biggles books and also there was an author called Mal-Malcolm Saville who . . . one of his books was Mystery at Witchend and there were others which were sort of spy story-type things but not spy stories.  We also had the Hans Andersen and the Grimms’ Fairy Tales and so on but I think that must have been at a younger age than teenage.  Mazo de la Roche, yes, I ploughed through all the Jalna novels and I absolutely loved them.  I couldn’t wait to find the next one in the series from the library.  Hugh Walpole, a lot of his books I read.  Mm, what else have you got here? Dickens, at that age I would have been reading Christmas Carol and David Copperfield … , I think the other ones came later.

SA: Are there any books that stand out in your mind as being a transition from childhood to adulthood that you chose to read and that you think made you feel more adult?

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Jean (left) Bridlington 1947

JW: Yes, there was an author called Frances Parkinson Keyes. He [sic] wrote very meaty, very long novels.  I can’t remember a great deal … a particular title now but again it was … several of them were set in the American Deep South and, …, they were quite adult and I enjoyed those very much.

SA: So it was more the change of genre that made you feel more adult than one book?

JW: Yes, and then there was Dornford Yates who wrote the Berry books.  Which were screamingly funny and, … I shouldn’t find them funny now but I did then and again … I used to annoy my parents by sitting in the corner and laughing at the books and they couldn’t understand why.  They were, they were fascinating … as I say I probably wouldn’t enjoy them now, although I’d love to read one again just to try it [laughs].  Er, I can see Gone With the Wind.  I think I probably read that about that time and that again was a much more adult one.

Erm, [pause] yeah my father read … goodness I’m sorry, dreadful this, they’re all on the tip of my tongue and I can’t remember them.  I’ll come back to that, it doesn’t matter.

SA: Ok.

JW: Er, so what else was there?

SA: So you said that you got most of your books from the library or you went down to the little shops and saved your pocket money to get them.

JW: Yes.

SA: Did your parents, even though they didn’t read to you that much, when you were younger, did they encourage your reading?

JW: Oh, very much so.  Yes.  To be fair, there wasn’t an awful lot else to do.  The only other thing to do in the evenings, apart from school work, was, erm … er, listen to the radio, which obviously we did as a family but, er, yes reading was very much encouraged.

Your supervisor was asking me about the, the little libraries that there were in Sheffield and I told her that my father through my mother belonged to one of these.  I told her it was, I forget the name, but anyway I’ve remembered it, it was the Red Circle library and it was on, I think, Angel Street, although it might have been on Haymarket.  Er, and erm, they stocked sort of popular fiction. He liked crime and cowboys and detective novels and so on and she could get those for him from there.  The public libraries didn’t have that sort of thing in those days – it was very much more erudite. You know, you were supposed to be educated if you went to the library rather than just amused.  Er, Nevil Shute, Dad and I both enjoyed those, that was something we shared together … because they were very well written, they were lovely.  [Long pause]  What else?  [pause].  Tarka the Otter, yes, I remember reading that but I think that was much later.  I don’t think he was writing when I was that age.  I seem to remember Tarka the Otter, probably in the late ‘50s, probably ‘60s, I’m not sure about the date on that.

SA: OK.  So your family was a positive influence on reading.  Is there anyone that made you feel like reading was a waste of time or that just didn’t encourage you to read?

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Jean and family in Scarborough 1948

JW: No, no.

SA: So everyone was happy – ?

JW: Everyone encouraged me to read, yes. Yes, definitely.

SA: So you said you used to sit in the corner and laugh and you don’t quite know why you would do that now.  Have you ever read a book that’s kind of a guilty pleasure or that you feel embarrassed about?  Anything like that?

JW: [long pause] Yes, let me think. Who was it? Which one was it? Oh gosh there was a famous one. Well, Lady Chatterley – when we were at school, of course, everyone wanted to get their hands on Lady Chatterley’s Lover. It was many years later before I did actually read it but we were all trying to read it at that time. There was another one … oh dear … I can’t remember its name but there was another, sort of, well I suppose it would be quite mild these days but it was considered very sexy in those days. All the girls in school were trying to get hold of copies of this but I can’t remember its name.

SA: So you noticed a difference between what was high-brow and what was low-brow?

JW: Definitely.  Yes.

SA: But did you read a mixture of both?

JW: Yes.  Yes, er, yes.  I think so.  Definitely.  As I say these Dornford Yates ones, you’d call them ‘pulp fiction’, I suppose, but they were, they were ok.  Erm, school was a very, very strong influence and it was very much: ‘Children, girls, you must read.  Uplifting books.’  Erm, we were very much discouraged from having, for instance, comics or anything like that.  I had something called Girl’s Crystal but . . . which was a … quite a decent comic but you couldn’t possibly have mentioned that in school because that wasn’t the done thing as it were.

SA: So reading was encouraged but only a certain type of reading?

JW: Yes. Yes … Geoffrey Thorne (Sp?).  Oh, that’s another one.  He would be considered light reading but we used to read those.  I’ve read most of those in my time.  John Buchan, he was more approved of … erm … much more literary.  I still enjoy reading him.  I’d quite like to see a Geoffrey Thorne again but I don’t know where you would get one now.  Hammond Innes.  I’ve read those but again I can’t remember what stage.  That’s probably pushing towards late teens rather than early teens.

SA: Yeah, that’s fine. We’re looking at how-how your reading developed as you get into adulthood so you can talk about anything you like.

JW: Yes. Oh, gosh, right, it’s something that stays with you for life.  I – I belong to a little group of ex-teachers and, when we meet, we swap books and we talk books all the time and I mean, you know, it’s still there.  Antony [sic] Hope, The Prisoner of Zenda, I’ve got that on the shelf, just over there.  That again was an early teenage one. Dennis Wheatley.  That was the one I was trying to remember that my father . . . my father had these and he didn’t think they were suitable for me, but I used to read them on the quiet.

SA: So, as you grew up and as you became older, did you streamline the kind of book that you read to a certain genre or did you have favourite authors or did you just continue to, like, devour, like lots of different types of literature?

jean-wolfendale-mam-tor-2

On the way to Mam Tor

JW: Devoured really, I suppose.  Yes, I don’t think I particularly … I suppose it was historical fiction in many ways that I used to go for.  I hadn’t realised that but I supposed it was.  To a certain extent ,anyway.  I don’t remember reading much Georgette Heyer. I tried her and didn’t like it but I read D K Broster and Baroness Orczy.  For some reason I never took to Jean Plaidy.  Anya Seton was another one that I really enjoyed.  There was … now what was her name?  A Traveller in Time by … Alison … Uttley.  That’s right. That was … erm, one that absolutely fascinated me as an early teenager I think, and that set me onto Mary Queen of Scots and all that sort of thing.

jean-wolfendale-mam-tor

SA: You said that you were a teacher.  Do you think that your love of reading either influenced becoming a teacher or was influenced by becoming a teacher?

JW: [pause] It influenced my becoming a teacher.  I … gave up on a chance to go to university and got married and had children so I didn’t become a teacher till I’d had my family and … when I went to college I specialised in English and French and that was obviously as a result of my – my reading and so on.  I did English at Higher School Certificate so I’d got a background of English.  So reading obviously played a tremendous part in my life, it still does.

SA: OK. That’s because one of the questions is: ‘Do you think reading has or how has reading changed your life?’  So you think it has?

JW: [pause] I can’t say it changed it because it’s always been there … mm … but I can’t imagine a life without it and in fact at the moment I’m beginning to have some trouble with my eyes and I can’t read for long and that is a real … er … hurt, you know, I have to do something else and I’d prefer to read [sounds sad].

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Bridlington 1947

Recent Posts

The Carnegie Letters (Part One)

By Val Hewson

Busy with our Sundae Opening project (more about this shortly), we’ve not been able to post anything here for a while. Many thanks to MS who put me in the way of the Carnegie letters about Sheffield. A great way to stoke up the blog again.

Whatever agencies for good may rise or fall in the future, it seems certain that the Free Library is destined to stand and become a never-ceasing foundation of good to all the inhabitants.

Andrew Carnegie, An American Four-in-Hand in Britain (1883).

In April 1904, Geo Hy Capper, of Fernleigh, Tinsley, wrote a letter to R A Franks of the Home Trust Company, Hoboken, New Jersey, USA, asking about ‘your method of procedure, so that I shall know exactly how to work’.

Image from the Carnegie Corporation of New York Records held by Columbia University Libraries. Details: https://dlc.library.columbia.edu/catalog/cul:7h44j0zqvd

Here is a transcription of the letter.

Tinsley Parish Council

Clerk’s Office, Fernleigh

Tinsley, April 23rd, 1904

Geo Hy Capper, Clerk to the Council

Mr. R. A. Franks,

Home Trust Company, Hoboken, N.J. U.S.A.

Dear Sir,

On Feb’y 23rd last I received from Mr. J. Bertram a letter announcing Mr Carnegie’s approval of the plans for Library [sic], which he is giving to Tinsley, & asking me to communicate with you for payment as the work proceeds. The Contract was let last night & building operations will now be commenced at once, so I shall be glad if you will kindly let know your method of procedure, so that I shall know exactly how to work.

              Waiting your esteemed reply,

                             Yours faithfully,

                                           Geo. Hy. Capper

George Henry Capper (1859-1924), who acted as clerk to Tinsley Parish Council, was the Sheffield-born manager of a steel rolling mill and a man of substance, as his confident letter shows. (That the letter is handwritten, by the signatory, is interesting. Typewriters were becoming common in offices at the turn of the century but the parish council evidently did not use one.) Robert Augustus Franks (1861?-1935), born in Liverpool, was an immigrant to the United States who had made a success of his new life. He was president of the Home Trust Company, a private bank set up by his friend, Scottish-American steel industrialist Andrew Carnegie (1835-1919), to manage Carnegie’s philanthropy, including the endowment of ‘free libraries’.

Andrew Carnegie, (seated, fourth from left), his daughter, Margaret, and wife, Louise, at the Carnegie Corporation’s first board meeting, 10 November 1911. Standing behind Carnegie is his secretary, James Bertram, and behind Margaret and Louise Carnegie, Robert Franks (public domain, Wikimedia Commons).

Carnegie’s contribution to libraries is well-known. At one point he was the richest man in the world, and he is said to have given away about 90% of his fortune, to support educational and cultural organisations. He believed that:

To try to make the world in some way better than you found it is to have a noble motive in life.

Andrew Carnegie, The Empire of Business (1902).

Carnegie started poor, emigrating to the USA in search of a better life, and he had little formal education. He reasoned that libraries gave people like him the chance to learn, to catch up. All in all, he helped found perhaps 3,000 libraries in the late 19th and early 20th centuries, spending about $55m in the process. Most were located in the USA, but towns and cities around the world, including in the UK, benefitted from Carnegie’s generosity.

Around 1903, Tinsley, now a suburb of Sheffield but then an independent township, was awarded £1,500 by Carnegie for its free library, to be built on the corner of Bawtry Road, on a site donated by Earl Fitzwilliam, the local aristocrat. Mr Carnegie’s secretary had written to the council on 18 November, setting out the terms of the offer:

Dear Sir – Responding to your communications on behalf of Tinsley. Mr Carnegie will be glad to give £1,500 sterling to erect a Free Public Library building for Tinsley, if the Free Public Libraries’ Act be adopted, and the maximum assessment under it levied, producing £100, as stated by you. A site must also be given for the building, the cost not being burden upon the penny rate.

Sheffield Telegraph, 17 December 1903.

The money might have been refused, as there was a feeling in Tinsley that Carnegie the employer oppressed the working man libraries were intended to help. There was also a suggestion that local business, rather than business based 3,000 miles away, should pay (which might have been connected to the curious fact that steel was the business of both Carnegie and Tinsley). In the end, the parish council voted almost unanimously to accept Carnegie’s offer. You can read the full story starting here.

Tinsley Carnegie Library opened to the public just over a year after Capper’s letter, on 7 June 1905, and the whole affair, from initial application to opening ceremony, took perhaps two years. The contract Capper refers to must have been the one with the local building firm, Gray and Sons, and the plans approved by Carnegie were the design by respected local architects, Holmes and Watson, which can be seen in Sheffield City Archives.

Tinsley spent Carnegie’s £1,500 well (and managed the budget well – there was an overspend of a mere 9s 10d). The Sheffield Telegraph reported from the opening ceremony:

The brick structure is effective in appearance, and, surrounded by grounds nicely laid out and planted with shrubs, the institution…besides being of educational value to Tinsley, is an adornment to the village.

Sheffield Telegraph, 8 June 1905

Tinsley Carnegie Library around 1970 (courtesy of Picture Sheffield, Ref. No. s26883)

And so it remained for 80 years, until in 1985 the library moved to a (less impressive) shop unit in a modern precinct just down the road. The building was then used as a family centre, but has stood empty and boarded up for some years now. It’s a tribute to the parish council, the architects and builders that the building remains, forlorn, water-damaged but still graceful after nearly 120 years. 

Tinsley Carnegie Library 2018

Columbia University Libraries also hold correspondence about Sheffield’s Walkley Carnegie Library, about which we’ll be writing shortly.

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