Adele J

Adele J

Adele was born in 1942 in Ecclesall, Sheffield.

She is being interviewed by Liz Hawkins on the 19th July 2012.

AdeleJagger1959web

Liz Hawkins : Adele was born in the Ecclesall area of Sheffield in 1942 and has lived in different areas of Sheffield ever since. So between the years of 1945 and 1965 she lived in the Ecclesall area of Sheffield. Is that right, Adele?

Adele J : It is.

LH: Right. So if we can just think back to your early days of reading, really. What do you think were the early influences on your reading? I mean, for example, did anyone read to you when you were young?

AJ: I’ve no recollection of that at all. I can’t remember my father or mother reading to me.

LH: Really?

AJ: No, there were no books in the house.

LH: Right, so they weren’t readers themselves?

AJ: No. I think my father had been but certainly not when he was married, when they had me. I never saw him read a book. I never saw my mother read a book.

LH: Right. So there was no sense of reading in your family really?

AJ: No.

LH: That’s interesting, isn’t it?

AJ: Mm, it is, yes.

LH: So when do you think you started to become aware of books in that case?

AJ: Well, I think probably I was a very good reader from early on. I don’t remember that of course. But I asked for books. I wanted to be bought books. And also I used the library.

LH: Right. Which library would you have used?

AJ: Well, I remember mostly when I was at grammar school getting past Hurlfield Library and going there and then got off the tram and then I walked home because I lived near the bottom of Ecclesall Road.

LH : Right.

AJ: So Hurlfield Library is the one I remember.

LH: And so did you mainly use books from libraries when you started to read?

AJ: I don’t think when I started to read, no. I think that would be books I would be bought for birthdays and Christmas.  And I remember lots of Enid Blyton of course.

LH: Yes, so quite a few – I mean, not very many – not numerous books?

AJ: Not numerous, no. I think I had one bookcase in my bedroom. I can see it now and I can see that the shelves were just full of books eventually. But only that bookcase.

LH: I see. And so, do you remember what your parents felt about you reading? If they weren’t readers themselves?

AJ:I can remember one particular incident. Is it all right to say something about that?

LH: Yes, definitely.

AJ: I was probably a young teenager and reading and Mum would be in the kitchen getting tea ready when Dad came home and he said, “Oh look at her. She’s sitting reading.”  And I can distinctly remember my Mum saying, “Leave her alone. She’s enjoying it.” And I know what I was reading at the time and I was enjoying it as well. It was one of the ‘William’ books by Richmal Compton. And I loved them and even though he was right out of my milieu – as a middle-class boy – [I didn’t really realise this till later of course]. I absolutely adored them.

LH: But many of the books – you talk about Enid Blyton – were about middle-class children.

AJ: Of course. Yes.

LH:Of boarding schools and ‘The Famous Five.’

AJ: Absolutely.

LH: Having picnics and tucker and so on.

AJ: Yes, and the comics we read at the time as well. There was a girls’ comic with three girls at boarding school. I can’t remember what it was now but …

LH: I know what you mean. ‘Girl’s Realm’ and things like that.

AJ: It was a different life, wasn’t it. I never read anything about MY life.

LH: No, well, things weren’t written about your life, were they?

AJ: No, no.

LH: So as you moved on then from reading children’s books, Enid Blyton and so on, can you think about the first books you began to read that you’ve got a sense that they were now kind of ‘grown-up’ books?

AJ: Well, I remember reading the ‘Katy’ books. I don’t know how you’d consider them?

LH: Sort of ‘middle’, crossing over.

AJ: And I loved them. There were three; ‘What Katy Did’, ‘What Katy Did at School’ and ‘What Katy Did Next’. And I could quote from them, really, I think now, ‘cos I read them so much. And really, that was American, wasn’t it? There again, middle class lives.

LH: Yes, Anne of Green Gables and stuff.

AJ: I didn’t read those but I did read the ‘Katy’ books. I remember those and also I read a lot of Agatha Christie, Nevil Shute, Hammond Innes, people like that.

LH: Yes, and those are now beginning to be adult books, aren’t they?

AJ: Yes, I suppose so.

LH: And so, will you have got these from the library?

AJ: Yes. I don’t think I was ever bought any books like that.

LH: No, there weren’t bookshops so readily available, were there, to buy books?

AJ: No, there weren’t.

LH: How, do you think, you knew what sort of books to read? That’s a hard one, isn’t it?

AJ: It is, really.  Eventually my father started recommending books to me which was a big surprise to me, having never seen him with a book in his hand. So I assume that he had read a lot when he was living on his own. And he recommended people like P G Wodehouse –‘cos that was always commented on at school:  “How did you come across P G Wodehouse, girl?” “Oh, my father recommended it.” You know. And he recommended Sorrell and Son by Warwick Deeping, which I’ve since come to realise had a very great impression on him, because his mother died when he was very young – and this is what the basis of the story is – and I hadn’t realised that.

LH: No. So he began to open up the world of reading to you then?

AJ: Yes. He recommended authors – “Have you tried reading …’this, that and the other”, you know.

LH: And were you still going to the library and looking.

AJ: Yes.

LH: And coming home with books from there. So what sort of books do you think made an impression on you at that stage? Or were you just an avid reader? What were the books that really stand out?

AJ: Well, I think that being at grammar school also extended your knowledge of books and what there was available to read because you were starting reading the classics, weren’t you? And of course you then would read other books by the same author. So that was a big influence on me. I can remember reading Lord of the Flies by William Golding. I think I was about fifteen.  And I think I read that till four in the morning, because I couldn’t put it down, I was so frightened. And it’s a book I will never, ever forget. I have never read it since but I’ve never forgotten it. And I can remember everything about it. So, you know, that book had a big impression on me.

LH: So, something that really stays with you for ever and ever?

AJ: Absolutely, yes.

LH: When you describe it actually, sometimes, reading is not so much something that is pleasurable or an escape but something that you’ve got to do.

JA: That’s right. Something gets hold of you, doesn’t it?

LH: It is quite a scary book.

AJ: It is, yes. And also I started to love others. I was an avid reader of very big books.  I read all the Dickens. You know, when I think about my appetite for reading at sixteen, it was just amazing. And you’ve got the time, haven’t you? Well, a lot more time in bed, for a start, as a teenager. So, you know, you just have an appetite and nothing else much to do really.

LH: That’s right. But it is interesting that- from what you were saying about the fact that your family wasn’t a bookish family. All of this was something you discovered yourself really.

AJ: Yes, I think, really, there was encouragement when they saw my keenness and I think that helped it to grow. You can see how hard we had to work when we were at grammar school and the reading, I think, was a relaxation in their eyes. Although, of course, you were reading a lot all the time for school, weren’t you? But it was my mother who always said, “No, she’s reading. Leave her”. And yet she was the least educated of my parents. She’d been in service, but I think she’d seen a different way of life and I think she’d been surrounded by books. This is me surmising. Because she certainly didn’t talk about that.

LH: No. Would she have read things like women’s magazines perhaps?

AJ: She may have done. If she’d had any time. But I think, if you were in service, cooking and looking after children..

LH: Absolutely, you wouldn’t have the time. Erm, thinking about your mother’s encouragement to you to read – and maybe some with your father – did they ever make you feel it was a waste of time to read or … ?

AJ: No, never. The only time I felt that my father thought it was a waste for me to carry on with my education. “You’re a girl; you’ll only get married.’ And I said, ‘Well. Dad, I would pass my education on to my children; in that case, it’s not wasted is it.” You know, you always have clever arguments with your parents and he was always the one that said, ‘No, don’t do it.” And I think it’s because he was very cautious by nature, really, to give him the benefit of the doubt. And so it was my mother who said, ‘No. Do it.” Cos I think she wanted to do other things in her life that she hadn’t been able to do. And I think she felt thwarted and that she wasn’t going to let me be thwarted. I’m convinced that was her ‘raison d’être’ really.

LH: Yes, but you, after marriage [?] … You spoke about teenage years, really, to becoming and adult at that stage. But when you left home you carried on reading, did you?

AJ: Yes. Well I did study literature at college so it was all reading. We were just encouraged to read anything. So I remember reading DH Lawrence, particularly, for the first time. And I think it was just when it had become legal – ‘Lady Chatterley’s Lover’. Cos I went to college in 1960 and I think that’s when the court case was. So I remember reading that for the first time and then reading other Lawrence as well. And we were exposed to lots of literature that I hadn’t been exposed to before. And encouraged to read.  And so that was a wonderful time for me. I really enjoyed that.

LH: So it’s not surprising in a sense that you chose to do a course which enabled you to read.

AJ: That’s right. That’s what I wanted to do, yes.

LH: Fantastic. Do you feel that you were ever made to feel sort of embarrassed? Apart from your story about the Precious Bane thing? Were you made to feel embarrassed about what you were reading and you felt as if you needed to read it in secret or apart? I mean Lady Chatterley’s Lover for instance?

AJ: No. I think the 60s were the beginning of changes in attitudes in all sorts of ways and I don’t think it mattered what you read. I’ve never ever felt like that about reading actually. I’ve never felt that I need to hide a book away.

LH: [Laughs] Under the covers, eh?

AJ: Even when I’ve read rubbish, I’ve never felt like that. I’m quite confident about reading. You know,  I wouldn’t really care what other people thought.

LH: Coming from the background that you describe, were you ever conscious that you felt you were using reading to improve yourself in any way?

AJ: No, I don’t think I was conscious of that at all.

LH: You done better than perhaps your parents or …

AJ: No, No, I never felt like that. I don’t think there’s anything of that in our family really or all around me really. I just wasn’t aware of it anyway.

LH: You just wanted to read in order to …

AJ: I loved it because I was an only child and I think that also helps you to read more because if you get really tired of playing with friends or you haven’t got any friends you’ve always got friends in a book and it’s not just an escape … it’s very difficult to describe. It’s partly comfort; it’s partly escape. But it just puts you into other realms, doesn’t it? And you’re not bored; if you’ve got a book, you’ve always got something to do.

LH: Yes, it’s interesting to think about why we read, isn’t it. Why, particularly, you read as a young adult, late teenage, a young adult. As you say, some of it is escape – doesn’t quite do it, does it?

AJ: It doesn’t feel like that because sometimes I would rather read than do anything else. Now I don’t know whether that’s escape. [Laughs]. And I’m still like that.

[Both laugh]

LH: “Don’t bother me. I want to read”.

AJ: That’s right. Yes, to me it’s as important as anything else in life, reading. Mm.

LH: And so, therefore, it’s very significant as to what books you choose.

AJ: Erm, yes, I suppose so. Yes, although I do feel at a loss if I haven’t got anything to read. I’m thinking, “Where’s my book?” You know. But there aren’t many occasions like that. But, well, I suppose, how do you choose books? I don’t know how you choose books. You read about them, don’t you, in the papers? You read criticisms and so on. Or you think, “Well, I haven’t read that author. I ought to.” That’s a kind of self-improvement, I suppose. “I ought to.” Yes.

LH: “I need to keep my end up in conversation”

AJ: That’s right. And I like to read the Booker prizewinners as well. That’s my sort of level of book now, I would say. I wait for the book club offers to come and I buy them all and then read them and think, “Well, I wouldn’t have chosen that as the winner”, you know. [Laughs] It was Julian Barnes last year … er … [Laughs]

LH: So if you think about this designation of highbrow, middlebrow, lowbrow.  When you were a young adult do you think that you were aware of those sort of different categories – of good books or just page-turners?

AJ: It didn’t worry me that I read Ngaio Marsh, Agatha Christie, Hammond Innes and all these adventure stories. I liked them and it didn’t worry me that they weren’t perhaps the best literature because I was getting plenty of that anyway. I was getting that at school; I was getting that at college. And other choice of reading, so …

LH: All your Dickens and D H Lawrence..

AJ: Yes, I was getting all that so, er, in between I think my choice of reading was quite eclectic really [Laughs]. And it didn’t bother me.

LH: No,no, that’s fantastic. So, any other authors that you can think of to let us know about?

AJ: Well, yes, I read John Galsworthy; I read Trollope. I told you I had taste for great big books. North and South I remember particularly. Middlemarch was one of my favourite books – George Eliot – wonderful! I just loved that. I read all the Thomas Hardy as well. I loved those – still do, actually. I think they’ve still got a lot to say. J B Priestley… Little Women – that’s going further back, of course. And books by Malcolm Saville when I was a young teenager.  Now I don’t know whether you’ve heard of him?

LH: No.

AJ: He had a group of children, a bit like Enid Blyton, but I think they were better written books and they were set I think in the Mendips or somewhere. They had adventures and things like that. But that’s going back quite a bit more. And er, Tolstoy, of course, I went to eventually. Anna Karenina I’ll never forget. I read that at a very difficult time of my life. And I particularly remember that.

LH: It’s surprising you’ve done anything else, you’ve read so much.

AJ: Yes, [laughs] It is, really, isn’t it?

LH: Are there books that you read with pleasure at the time, do you think, that you’d never dream of going back to read again?

AJ: I don’t think I’d read the Dickens again. I think I’d have to … I enjoy seeing adaptations and so on but I don’t think I’ve quite got the energy for big books any more. [Both laugh]. And also, when you open the Dickens if you’ve read them in the past you feel that you’re just remembering everything. Perhaps one shouldn’t feel like that. I don’t feel like that about Shakespeare’s plays for instance because there’s always more to unravel, isn’t there?

LH: I know what you mean, yes.

AJ: I don’t think I’d want to read Dickens again. And also I couldn’t read War and Peace again. I couldn’t because I really struggled. I enjoyed the ‘Peace’ bits but, you know, I really struggled with the ‘War’ bits. And I read both volumes and it was quite a big book to read. So anything that was really too big I don’t think I’d read any more.

LH: No point, is there? Too many other things to do. So, I mean, are there any other authors that you’ve got there on your list before we..

AJ: I think there probably will be but I mean you’d have to say some to me to remind me, I think. You forget an awful lot in your life, don’t you?

LH: Yes, yes. Talking about P G Wodehouse and so on. There’s lists of things here; did you do thrillers – Eric Ambler, things like that?

AJ: No. I liked a bit of science fiction. I can’t remember many authors, I must admit. I wasn’t that mad about them.

LH: The Rider Haggard stuff – I don’t know whether you erm …

AJ: Oh, She.  Yes. Terrible to read. I have gone back to She and it’s awful, isn’t it, a racist book. Oh, I read a lot of Arnold Bennet – forgotten – ah The Old Wives Tale isn’t it? And H G Wells – I read a lot of H G Wells as well. Yes, those are just two of the names I’ve picked out there. And Nevil Shute I read, of course. Alan Sillitoe.

LH: Did you read John Steinbeck, thinking about the men up north?

AJ: I read them when I was older, when I was at college. And I’m not too keen. I find American authors quite difficult to read sometimes.

LH: A different sort of style.

AJ: Yes, absolutely.

LH: I just want to finally, then Adele … do you think – you might have already answered this I suppose – but are there any ways in which you think that reading has changed your life?  That your life would have been different without books?

AJ: It’s hard to imagine what it would have been like without books. I can think of a book that probably changed my life or helped me to change my life. But it does sound a bit pathetic, doesn’t it, to be influenced so much by a book but erm … So there’s that aspect of reading. And I think there’s the confidence that reading gives to you actually. I don’t mean that your head’s stuffed full of information because I don’t think that’s particularly why you read unless you are researching something. I think my life would have been less rich without reading.

LH: Yes. Because you talk about novels, actually. You haven’t mentioned any non-fiction, funnily enough. Not your genre at all?

AJ: No. I mean I had to read non-fiction at school, didn’t I? I read non-fiction with my grandchildren now but I have read poetry as well. I studied poetry as well.

LH: But you say about your life being richer for the reading.

AJ: Absolutely. I think so. And also it’s been all part of my education.  It’s all tied up with going to grammar school and going to teacher training college; and also teaching English. And then growing to love children’s books, of which there are many nowadays, aren’t there? Children are so fortunate today; they have such a choice. My grandchildren’s bookcases are stuffed with books. Which I love; I love to see that. And they love the world; they’re totally immersed in books themselves. And if they’re being naughty, one’s only to sit down and start reading out loud and they’re drawn to you – and I think that’s amazing.

LH: So you’re still using books? For other people as well?

AJ: Still using books, that’s right, yes.

LH: And they continue to influence your life?

AJ: Yes, they do.

LH: Thank you very much for that.

AJ: That’s quite all right.

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John D’s Reading Journey

By Mary Grover

John D was born in 1927 in Darnall and grew up on the north side of Sheffield. He served in the RAF in the Second World War and then trained and worked as a junior school teacher. 

John has never stopped learning and sharing what he has learned. Born in 1927, John had his education interrupted by military service in 1945 but he returned to Teacher Training College at the end of the forties and spent his teaching career in Woodhouse Junior School to the south of the industrial areas of east Sheffield where he grew up.

It was a struggle for his family to put him through the selective Firth Park Secondary School, later a Grammar School. The family, who had not got the tuppence needed to borrow John’s favourite adventure stories from Darnall Red Circle Library, had to find a pound or two for his grammar school text books: a week’s wages for a steel worker such as his grandfather. The seven pence a day for a school dinner also proved difficult to find. His uncles helped fund his delight in the cinema. There were four in Attercliffe. If one of his uncles was courting they would buy him a halfpenny seat. Where the happy couple went, he followed.

The Palace, Attercliffe (Courtesy Picture Sheffield)

John’s main source of entertainment was the municipal library. He found his way to Attercliffe Library on his own. He walked the several miles there and back weekly despite the bitter disappointment of his first expedition. Joining was no problem, nor was choosing a book. He chose the fattest he could find, a Doctor Dolittle book. It looked long but the print was big and every other page an illustration.

I’d read it in an hour of course so I took it back to the library and they told me, ‘Go home, you can’t have any more books, you can only have one borrowing a day, you can’t go back’. I think at that time I only had one ticket anyway so it meant that although I’d walked several miles to the library, there and back, it meant that I was frustrated because I couldn’t borrow a book that I wanted.

Attercliffe Library (Courtesy Picture Sheffield)

He plodded on, walking several miles a week for every book borrowed, Doctor Dolittle and another favourite, Just William.

{By Source, Fair use, https://en.wikipedia.org/w/index.php?curid=29925217)

He grew to enjoy detective stories. Edgar Wallace too became a great favourite. His desert island book would be a collection of Wallace’s River stories.

Now they were a cut apart. Edgar Wallace was such a … he had to write fast because he incurred such debts in America, gambling. He needed a book a week to keep him afloat financially. I think he did it in a Dictaphone and then had it typed up. That would be the norm those days I suppose. I can remember in several stories he started off with the hero’s name as being Jones and by the end it had become Smith because he’d gone so fast he remembered it was a common name. So his crime books Four Just Men and things like that were flimflam but his River books, those were different because he’d been a reporter on one of the big London … and he’d been sent to Africa I think, Boer War and such like. From memory, I may be not remembering right, I think he’d gone into Africa, the Congo and that, perhaps as part of the British Colonial process and as a reporter writing, I’m not sure if it was The Times, it was one of the big heavies, the daily heavies in London. So his stories were authentic if you know what I mean. They were stories and they were fiction but the backgrounds and the people were authentic and I enjoyed that.

To supplement his supply John would go down to the centre of town to Boots. If he had had the money he would like to have used the library on the top floor of the store, an elegant environment and a hefty subscription, but he had another option.

Now Boots Bargain Basement was famous because all stuff that had been damaged on the way here, boxes damaged rather than the goods themselves, was downstairs, and similarly with books. When books became well, either unfashionable or even perhaps unreadable or perhaps not in a fit state to loan out, they went down to Bargain Basement and you could pick those up for a penny a time.

A particular treasure was an old Atlas of the World but this, like so many of the books he managed to acquire in the thirties was lost in the Sheffield Blitz of December 1940.Though the Luftwaffe did not manage to destroy Sheffield’s steelworks, they demolished many of the terraces that housed their workers, including the house belonging to John’s grandfather and Attercliffe Council School from where John had sat the scholarship examination in 1938.

That was bombed, it was set on fire on the same raid … in actual fact the wall at the end of our yard was the school yard. We were next to the school so we were both bombed out together, the school and I.

When John left his secondary school do to his military service, his reading stopped. He can remember no opportunities for reading but on one of his jobs he did strike lucky.

(reproduced under fair use)

I do remember we went to this American station to close it down and the things I went for were the records. The Americans at that time had a scheme called V Discs. You’ve never heard of V Discs? All artists like, well Bing Crosby and Frank Sinatra and Judy Garland, all that sort of artist, they went into recording studios and recorded special V Discs for the forces which were then distributed to all the American stations. I think somewhere still in my loft I’ve still got some of these V Discs left and they were not the versions that were on sale to the public, they were especially recorded.

John still smiles at the pleasure that booty gave him. Reflecting on the nature of his reading and musical tastes, John declares himself firmly as lowbrow.

JD: I am very lowbrow.
MG: You feel you are lowbrow?
JD: Oh yes.
MG: Do you really?
JD: Very much.
MG: What makes you say that?
JD: Well, because I like lowbrow things! My record collection was dance bands of the 30s and 40s and big bands. So in Britain you’d have Roy Fox, Ambrose, Lew Stone, Roy Fox, no I’ve said that haven’t I? Oh and that sort of thing.
MG: Great. So would the word highbrow for you be a word of criticism or just not your thing?
JD: My motto has always been ‘live and let live’. Let ‘em live with it if they want it, that’s them.

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