Ballad of the Spooky Books (2014)

Ballad of the Spooky Books

Ray Hearne and children sing the Ballad of the Spooky Books at the Reading Sheffield Celebration Event 2014.

rayhearnearrivingArriving in the Carpenter Room, Sheffield Central Library.

Ray-Hearne-1w Ray-Hearne-2

Performing Ballad of the Spooky Books with Sheffield primary school children.

 

Ballad of the Spooky Books

I feel particularly lucky when they tuck

Me up, my nose stuck in a book…..

CHORUS

Spooky books are great books, rattling with bats

Ravens croaking and creepy-crawly cats

A dragon in a dungeon or in a mucky nook

Some crooked looking witches duck, and I’m on tenterhooks

 

The ‘Journal of a Zombie,’ that was very good

As ugly as an ogre, he had to wear a hood

And the story of a goblin, glimmery and green

Who turned a king into a kidney bean one Halloween

 

I love the paranormal, the freaky and the weird

A wizard with a pointy hat and beetles in his beard

A goodie or a baddie, I’m very rarely fussed

As long as there’s some blood and guts, that truly is a must

 

A greedy little vampire, starving underneath

A gloomy doomy bell-tower sharpened up her teeth

She couldn’t wait for midnight, then on the very stroke

Of eight o clock, she brushed and flossed, and buttoned up her cloak

 

A dapper little biter, proper claws and fangs

There’s lots of them in Sheffield, they hang about in gangs

Someone’s got to fight ‘em, but where we gonna start?

We’ll have to google ‘how to stick a stake in someone’s heart’

 

Teachers can be monsters too, we know for sure

It’s nasty when they are werewolves, there isn’t any cure

A silver bullet sometimes fettles ‘em they say

If anybody’s got one, we could do with it today

 

Every house should have one, a boggart or a ghoul

Poltergeists are far more noisy as a rule

In your laundry basket or underneath the sink

Panicking your manikins and kicking up a stink

 

A cellar full of trolls I could never recommend

Though I’ve only read the version I borrowed from a friend

They guzzle up gazpacho, gulp your guacamole

And leave their smelly socks to ripen in the cubby hole

 

A cackling in the dark night, a slither and a hiss

A corridor of mirrors to a bottomless abyss

They’re menacing behind me, all slimy up ahead

Malodorously vivid – it’s the best I’ve ever read!

 

Ray Hearne         16/07/2014

For Spooky Book drawings by Stradbroke children click here.

Recent Posts

Reading Agatha Christie today

By Amelia Finley

Amelia is the last of our guest bloggers from Sheffield Hallam University, and she has chosen to write about Agatha Christie.

Though I had not until now ever read one of her many works, I can’t recall a time in my life that I was unfamiliar with Agatha Christie. The televised versions of the adventures of Hercule Poirot and Miss Marple always seemed to be airing on television in the early afternoon throughout my younger years, though my first real introduction to the illustrious author likely came via one of my other childhood interests: Doctor Who. The 2008 episode The Unicorn and the Wasp, features Fenella Woolgar starring as Christie and the episode chronicles a mystery similar to that which you would find in one of her own novels. Truthfully, many of my preconceptions of the author stem from this fictional portrayal of her and the many references to her life and works throughout the episode. Woolgar’s portrayal was that of a shy but brilliant woman struggling with her impending divorce and pressure of fame. Through my research I found that this was largely accurate, Christie’s obituary in The Times newspaper reads: ‘She was a shy person: she disliked public appearances: but she was friendly and sharp-witted to meet.’ (1976, p. 16). My next encounter with Christie’s infamous tales came in the form of the 2015 BBC miniseries And Then There Were None, an adaption of the novel of the same name. It was after watching this series, that was said to be the most accurate adaption of the novel ever made, that fully ignited my interest in Christie. I went on to watch and adore both Evil Under the Sun (1982) and Murder on the Orient Express (1974) soon after, though I still had not personally read any of the source material. When I discovered that Christie was on the list of authors we could choose from to study for this module, I was quick to select her and begin my research. Christie’s large cultural impact and her novels’ abilities to be relevant decades after their publication and be reimagined in so many different forms remain fascinating to me.

And Then There Were None is widely perceived to be Christie’s most successful novel, reportedly having sold over 100 million copies since its publication in 1939 (Grabianowski, 2009). However, the book and its author are not without its controversy. The novel was first published under the name Ten Little N***** Boys in the United Kingdom, a reference to the poem that the plot of the novel takes much inspiration from, with each character dying in a similar manner to one of the ‘boys’ in the poem’s narrative. The poem was originally published in 1868 as a counting rhyme for children, used in minstrel shows. Minstrel shows were a form of American entertainment which relied on the deeply racist donning of blackface by white performers who would portray black people as ‘lazy, easily frightened, chronically idle, inarticulate, [buffoonish]’ (Pilgrim, 2000) in the name of comedy. The novel was never published under this name in America due to perceived sensitivity surrounding the poem and the racial slur, instead always going by And Then There Were None, in reference to the final line of the poem. Over the years the novel has had many name changes to remove the slur, replacing it with ‘Indian; or ‘soldier’, in the name of censorship. Though I have mixed views on censorship overall, I think the removal of the slur from the novel is a perfect example of using censorship to protect readers and better the source material. In this instance, the slur is in no way central to the novel like it may perhaps be in a narrative that directly concerns itself with themes of racism, therefore its removal has no damaging affect on the story or its message and avoids the use of harmful racist language. Furthermore, the title And Then There Were None, in my opinion is far more fitting in tone for a mystery thriller novel than any of the variations on the ‘Ten Little’ names are, creating more of an atmosphere of foreboding. Fortunately, the controversy doesn’t seem to have affected the success of the book nor any of its many adaptations, censorship in this case working to enhance the experience rather than take away from it, with the book reportedly being the sixth best selling novel of all time (Grabianowski, 2009).

Agatha Christie (Creative Commons Licence, National Portrait Gallery)

Bibliography

Grabianowski, E (2009) The 21 Best-selling Books of All Time. Retrieved from: https://entertainment.howstuffworks.com/arts/literature/21-best-sellers.htm

Pilgrim, D. (2000) The Coon Caricature. Retrieved from: https://www.ferris.edu/jimcrow/coon/

Christie, A. (1939) And Then There Were None. Retrieved from: http://pustaka.unp.ac.id/file/abstrak_kki/EBOOKS/And%20Then%20There%20Were%20None.pdf

Harper, G. (2008) The Unicorn and the Wasp [Television programme]. United Kingdom: BBC.

Viveiros, C. (2015) And Then There Were None [Television Series]. United Kingdom: BBC.

Hamilton, G. (1982) Evil Under the Sun [Film]

Lumet, S. (1974) Murder on the Orient Express [Film]

(1976) Obituary: Dame Agatha Christie. The Times. January 13th, page 16.

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