The reading journeys of Pat and Mary

Sisters Mary and Pat were happy to be interviewed for Reading Sheffield by Mary’s daughter, Ruth, although neither wanted to be recorded. The short, verbatim notes Ruth took give a strong sense of the sisters’ personalities and of the importance of books in their lives.

Three sisters in Colwyn Bay, 1946. Pat, aged 20 is on the left, Mary, aged 23, is in the middle and Jean, aged 17, is on the right.

Mary’s journey

Mary was born in the Sheffield suburb of Tinsley on 24 May 1923. She left school at the age of 14 and had a job in a sweetshop until she was about 20. She then worked for the Co-Op, in their offices in Tinsley. Mary was a devout Methodist and, through church, met her husband Jack, who worked on the railways. The couple had two children, David and Ruth. Mary always regretted being unable to continue her education, and did become a mature student, studying for a while at the Open University.

Nobody read to me when I was young. I don’t think it was something people did back then. There were so many jobs to do around the house. My mum took in washing.

The books that made me feel like a grown-up were mainly the classics. I was about 16 or 17 and started to read Jane Austen. I loved Pride and Prejudice and Emma. I also read Charlotte Bronte and Anne and Emily too, but my favourite was Charlotte. I loved Jane Eyre. I also read some Thomas Hardy but got bored with his descriptions sometimes. So, yes, Jane Eyre made a great impression on me, as did Anne of Green Gables. But I can’t for the life of me remember where I got them from. Probably the library but I couldn’t swear to it.

Come to think of it, I think I did get my books from the library and it must have been Tinsley Library. I can’t remember there being many books at school, though there must have been some.

My parents didn’t really value reading. My dad, who was a miner, sometimes read a newspaper. I can’t remember my mother reading at all. I think they were suspicious of books and novels, thinking we’d get ideas above our station or that we were filling our heads with fantasy. Work was what they valued and they didn’t really think education and school were worth much. I passed the exam to go to grammar school but my parents wouldn’t let me go. They thought the uniform was too expensive and, as I was the eldest of three sisters, they said that, if they sent me to grammar school, they would have to pay for my sisters to go too. But, as it happened, neither of them passed the exam for grammar school. I really wish I’d had a better education. I love literature and I’m in a book group now. I’m 88 years old.

I used to read in our living room and everyone told me that, when I was reading, I got totally lost in the story and never heard anyone if they spoke to me. I’d read after work in the evening and in bed too.

I don’t think I had any idea about highbrow or lowbrow until I was in my twenties. Then I thought there were good and bad books. Love stories I thought were bad but then Jane Eyre is a love story and so is Rebecca by Daphne du Maurier and some Georgette Heyer, which I don’t think is highbrow. Maybe the middlebrow section.

I’d re-read all the books I read as a young adult, including the Mary Webb collection I had, but I think they’ve been lost. I loved those books.

Without reading I would probably have gone mad! It’s a cheap but really rewarding pastime. I’ve learnt so much from books and I think it makes you understand the world better.

Gertrude and Ernest, the parents of Mary and Pat

Pat’s journey

Pat was born in Tinsley on 7 April 1926. She was christened Gertrude Ada, but disliked the names and called herself Pat when she was around 20. Her niece Ruth describes her as ‘quiet, beautiful and glamorous’. According to family legend, Pat had several proposals of marriage but declined them all. She stayed at home and was, Ruth says, devoted to her parents and younger sister, Jean.  

Nobody read to me when I was young. Like my sister Mary, I enjoyed the classics. I read Little Women and Jo’s Boys which made me feel that I was an adult, though I’m not sure that they are adult books, are they?

Pat, at her sister Mary’s wedding

I think I got my books from the library and from work. I worked as a wages clerk at Shefftex and me and some of the girls would swap books. I used to enjoy the Dimsie books[i] but I think they were aimed at teenagers though I still enjoy them now. I remember all the Dimsie books and they did affect me. I suppose I wanted to live the life Dimsie lived. It was all so exciting and adventurous.

I always liked historical novels and still do. I go to the library at Greenhill every Monday morning but I’m not in the reading group that Mary’s in. I don’t want to talk about what I’ve read. I might say the wrong thing.

Some of my books came back from Sunday School when I was a child but I can’t remember what the books were. I think they might have been Bible stories. Nobody encouraged me to read and I wasn’t very clever at school but I always read – always. Without reading I don’t know how I would have occupied myself. I knitted and did a bit of sewing but reading has always been my favourite occupation.

I never married and I never had children so I’ve been lucky having had free time to read.

I’ve read everywhere. I used to read at work if it was quiet. Nobody encouraged me to read. I just did. Maybe I copied my older sister Mary. I do watch TV but I read more than I watch TV.

In the years you’re talking about, we had poor lighting really and I was always told that I’d ruin my eyes. When I was younger, we had gas lamps which weren’t very good really.

I particularly liked Georgette Heyer, Mary Webb, Daphne du Maurier and Jean Plaidy but I can’t remember individual titles, apart from the classics. When I see the serializations of the classics, I’m nearly always disappointed. I think it spoils your imagination. You have an idea of what the characters look like and when you see famous actors taking those parts it spoils it for you.

Reading has been very important in my life. When I’ve been fed up, a book has always succeeded in making things seem better.

Many thinks to Ruth for taking these notes.

[i] The Dimsie books, written by Dorita Fairlie Bruce between 1921 and 1941, told the story of Dimsie and her friends at boarding school and at home

Judith G’s reading journey

The third of five children, Judith was born in May 1939.   As a child, she lived off Ecclesall Road in Sheffield.  Although she passed the 11 plus, her parents could not afford grammar school, and so she went to Greystones Secondary School and left after O Levels.  Judith tells two stories in her interview: her own and her mother’s. Judith’s mother loved reading and shared this with her daughter.  ‘I just took to it because my mother read a lot.’ 

 

The first library in Judith’s life was the private Red Circle at the bottom of the Moor.  Her mum used to borrow ‘what they called “bodice-rippers”, romantic novels and stuff’ every week.  ‘I think it cost tuppence a week, or every time you took a book out or fourpence – something like that.’*  Then her mum joined the public library and Judith went along too, to the imposing Central Library in Surrey Street.  ‘I thought at first she wouldn’t be allowed in that one, you know, and then of course once she got there, there were more books than she could … and it was free as well.’  In those days, the public library service in Sheffield, under City Librarian Joseph Lamb, was rapidly becoming one of the best in the country, with a reputation for responding to the interests and needs of its members.

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From before she left junior school, Judith was allowed to go alone to the central children’s library.  She recalls joining with her friend Sheila:

… she wanted to join the library and we ran up all the way up there after school and my mother played pop with me because she didn’t know where we were. Her name was Sheila Thompson … and I said, “If you come with me, we can come and join.” … They gave you a little round ticket which you kept and slotted the book’s name in that, God, I remember that.

Judith spent a lot of time in the children’s library.  For her, it meant not only interesting books, but also warmth and peace ‘until they closed at five o’clock’:

I used to bring books home, but on a Saturday afternoon I’m afraid I spent a lot of time in that children’s library because you could sit there with any book you liked, encyclopaedias, because at home it was, you know, hustle and bustle, we didn’t have much because we had no money and there weren’t a television in those days, this is the ’50s, coming up to the ’50s, and I just used to go to the library for a bit of peace on my own.  Because there was four of us and my grandmother and father and mother all rattling round one house …

The children’s librarian was Mrs Scott, who sounds formidable.  Young borrowers’ behaviour was expected to meet the standards of the day.

She was really nice, you know, because in those days you couldn’t run around like they do nowadays, you had to sit reading quietly … she was quite stern, you know, you couldn’t racket round – mind you, nobody did in those days.

Having joined, Judith ‘read and read’.

I think it was my Aunty Marjorie, she used to say, “Doesn’t that child do anything? She’s always got her nose in a book.” And “What’s the matter with you, child, why don’t you go out to play?”

A book which made a lasting impression was Joey and the Greenwings#, ‘about this young boy and these things that came from outer space or something’. Almost 70 years later, the memory is strong:

Dear Lord, how your memory comes back! There was a little song in it about this little lost chick. What was it? Little lost chick sang cheep in the night, cheep in the night, and the moon stretched her arms out shiny and bright, to the little lost chick that sang cheep in the night!

In time Judith moved up to the adult library. ‘ … you’d go in there and think, you know, posh.’  Books by popular authors of the day like Georgette Heyer, Mazo de la Roche, Rider Haggard, Mary Webb, Conan Doyle and John Buchan drew her in, although she got into trouble with Kathleen Winsor’s Forever Amber.  Her mum used to ‘keep an eye on what I read’ and ‘made me take it back – she thought it was a bit racy! And it wasn’t.’  (Judith has less happy memories, as many of us do, of her set texts, like Charles Reade’s The Cloister and the Hearth, ‘the most dreary book I’ve ever read’.)

Over 60 years later, Judith remains a keen member of the public library.  In this, she is like her mother, who in old age ‘used to come in with four or five books’ from Highfield Branch Library.  In her turn, Judith has influenced her daughter, Lindsey, who works in a bookshop and has #enough books to start a library’.  In fact, you can trace reading through four generations: from Lindsey, through Judith and her sister who talk together about books, to their mother and even their grandmother who was ‘always on about books and that, she’d been well educated’.

Two readers - Judith and her mum

Two readers – Judith and her mum

‘It’s interesting, isn’t it, how libraries are places where people feel comfortable,’ says our interviewer. Judith agrees.  These days she goes to the Ecclesall branch, but still occasionally visits the Central Library:

It still is the biggest library, isn’t it? And plus, the fact it has all the other things, you know, the reference library and the art gallery and whatnot. Because we used to go and have a cup of tea up there and look around the art things, and I used to think, “This is fantastic, it’s free, it’s a public library …” that was the whole point of going there.  And … when they have an open day, and I’ve been down in the bowels where all the old books are – you might find my Joey and the Greenwings down in that bottom bit!

Sheffield Central Library, opened in 1934, not long after the establishment of SINTO

* Tuppence (2d) and fourpence (4d) are roughly equivalent to 1p and 2p, but worth about £1 to £2 today.

# Joey and the Greenwings (1943), by Augustus Muir

Jocelyn’s Reading Journey

Jocelyn Wilson was born in Sheffield in 1926.  She was educated, in wartime, at boarding school in Kent and was evacuated to Cornwall.  In 1948 Jocelyn married and in time had children.  In the 1970s and ‘80s she was a social worker.   

‘Did your parents ever say, “Don’t waste your time reading a novel”?’ ‘Oh no, never.  Nobody ever said that.’

How do we choose books?  How do we decide what to read?  And how do we judge our choices?

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Looking at her interview, you feel that Jocelyn W, who read widely and had excellent recall, was confident in her opinions and happy to defend them.  The quality of books, her own and others’ perceptions and the value of reading all lie just beneath the surface of her story.

Jocelyn was born into a comfortable, middle-class family in Sheffield in 1926.  Her first books were typical for that background and period – Alice in Wonderland, The Enchanted Forest, Cecily M Barker’s Flower Fairies and other fairy stories.  Predictably, they were chosen by her mother and a ‘very dear nanny who was into reading herself’.  Later, Jocelyn’s older sister helped her find books too.  Nanny and Jocelyn’s parents all read aloud to the children.  Jocelyn didn’t say so directly, but her first books seemed to have all the impact any parent could have hoped for: Jocelyn described them as stories ‘that made your imagination race’ and remembered them clearly 80 years later.  The Flower Fairies for example, she said, were ‘part of one’s history’.

After this promising start, things went less well.  Books were in short supply in Jocelyn’s life.  At first this was because her family lived ‘on the fringes’ of Sheffield and ‘it was quite a journey to go anywhere where there were books to be lent’.  Then World War II intervened and Jocelyn, by now at boarding school, found herself being evacuated to remote Cornwall.

And I remember after a birthday having a book token and having great difficulty in going to a bookshop in Newquay, Cornwall, to find something to buy.  And in the end The Heir of Redclyffe.  I can’t remember who wrote it but it was a pretty frantic book, I remember.  But there was so little choice.  And I think that’s one of the things we forget now ‘cos there are so many books of every kind, good and bad.  And then there were very, very few.

This early experience seems to have had a lasting effect.  Jocelyn said:

But of course it’s difficult for people nowadays to realise how few books came out and they were rare beasts and you waited for your birthday to get a copy.  Now there’s so much; you go to a bookshop and I’m overwhelmed.  I can hardly ever choose anything ‘cos there’s too much to choose from and it’s difficult to find what you really want.

Another effect of this shortage was that Jocelyn ended up reading what was available – the books on the family bookshelves – just because they were there.  She considered herself lucky.  ‘I think people forget now that it was like that.  You could be in a situation where you hadn’t anything new to read.  It seems incredible now, doesn’t it?’

Jocelyn’s family continued to influence her choices and judgments.  Her mother was ‘interested in books.  And so there was a good wide variety of classics’.  Jocelyn remembered reading, for example, Precious Bane and Mary Webb’s other novels.  ‘My mother was very sensible; she never said, ‘Don’t’.  She was very good; she was highly intelligent and we valued what she thought.’  (Jocelyn’s father tried too, but was rather less successful: suggestions like G A Henty were rejected as ‘boy’s own stuff’.)

School was the next big influence on Jocelyn, and it was there that her own judgment began to emerge.

… I did a project on keeping a notebook of all the things I’d read … I know that it was criticised by the person who taught English at school, saying, ‘I can’t think why you read all this rubbish when you’re capable of reading something so much better.’  You see, it had gone through the whole range.  But that was important in order to learn what was rubbish and what wasn’t.

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What was this ‘whole range’ that formed Jocelyn’s taste?  Over the years, there were:

  • classics like Jane Austen (‘she writes with such a deft touch’)
  • literary fiction, as we might say today, with authors like Marghanita Laski (Little Boy Lost ‘tore everybody’s heart to pieces’) and Rumer Godden (‘very delicate in her writing, sensitive and she touched one’s heart’)
  • popular, middlebrow authors of the day: Nevil Shute (‘wonderfully good stories’); Daphne du Maurier (‘anything she wrote was grist to the mill’); Queens of Crime like Dorothy L Sayers and adventure writers like John Buchan; Mazo de la Roche (whose Jalna books were the ‘original soap opera’)
  • ‘rubbish’ like ‘Oh Baroness Orczy and that sort of thing, The Scarlet Pimpernel. Oh good old rubbish, that’.

Rubbish was not, however, as clear-cut as it might seem.  For one thing, Jocelyn was becoming confident enough to reject other people’s opinions:

Oh yes, but I don’t count [Georgette Heyer] as rubbish … Of course she was a great storyteller, wasn’t she?  And of course historically very accurate.  There were things to praise about her.  Even though the stories were romantic fiction in the very highest level.

And sometimes rubbish could be the thing: ‘And if you’re not feeling very well, rubbish is what you want!’  If it was what you needed, could it be rubbish?

What Jocelyn would not accept was the badly or carelessly written.

I think that now I can only read things that aren’t badly written.  Sloppiness is what really gets me; and I think a lot of writers nowadays are very sloppy; they don’t do their research properly.

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So Jocelyn developed her approach: reading widely; making her own assessments but open to influence; seeking out high quality but understanding the worth and pleasure in lower quality.  This seemed to stand Jocelyn in good stead throughout her life.

… I didn’t read George Eliot until much later on; I came to ‘Middlemarch’ as a grown-up person.  It’s a wonderful book, isn’t it?  They’re very raw, some of those books by George Eliot.

…I still can read Arthur Ransome books.  When I was laid low with a back injury two years ago. the thing I chose to read was Winter Holiday and I loved it and it took me back.  It’s well-written and that’s the key, isn’t it?

I [chose Dracula for book group] and the men sort of withdrew in horror.  A lot of them wouldn’t read it.  It was quite interesting.  The women mostly did.  But I think it’s a marvelous book.  I keep turning the pages to find out what’s next.  I can’t believe it … It’s not even particularly well-written; it’s a most ridiculous story.  So why are we fascinated with Dracula?  I’m jolly glad I read it.  [But the men] weren’t going to waste their time reading ‘rubbish’ … I said, ‘I know it’s rubbish.’

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by Val Hewson

Read or listen to Jocelyn’s interview in full here.