‘Books. This will be good.’

Kath Kay told us here about a Christmas play put on for the children of Walkley and Woodhouse Libraries in 1949 and 1950. Now she shares further memories of libraries in Sheffield, Kent and London. Kath was born at home in Crookes, a suburb of Sheffield in 1931.

It’s been an interesting career. I’ve worked as a school, public, government and university librarian. Working in libraries all my life has given me great curiosity to find things out. Now I’m constantly using my iPad. It’s all part of the information process.

Kath Kay in a school play (Kath, wearing a hat, is in the third row, second from the right)

Kath Hunt, as she was then, left Notre Dame High School in 1947. She was 16 and had no clear idea of what she wanted to do. Stay on at school? Or go to the Commercial College? Then she got a job in the first-floor book department at Boots on Fargate in the centre of Sheffield. The staff ‘had to pencil a very small letter B, near the spine, on page 17 of every book’, Kath says, the idea being that it would help track books if they were stolen.

Edith Sitwell, by Rex Whistler (1929)

One of the bookshop customers was Dame Edith Sitwell, whose family home, Renishaw, is near Sheffield. In the Renishaw museum, there are memories from Boots staff: ‘I was fascinated by a one inch square ring she wore. I wondered how she could wear a glove over it.’ And another said, ‘…she would shake hands with us and we all bobbed a tiny curtsey. … A wonderful fairy-tale experience.’ Kath has her memory too. ‘Long red nails, long hands, lots of rings, very grand,’ she says instantly, nearly 70 years later.

The job in Boots set the course of Kath’s life. ‘Books. This will be good,’ she thought. ‘Perhaps I’d like to work in a library.’

Walkley Library

At first, there were no vacancies in Sheffield Libraries, but then Jack Walker, the Deputy City Librarian, said, ‘You can start next week.’ On 2 January 1948, Kath joined the staff at Walkley Library, a Carnegie library and one of the busiest branches in the city. By coincidence, the young woman who lived next door to Kath started the same day. In the fashion of the time, she wore her hair in a ‘peekaboo’ (that is, falling over one eye). When the formidable City Librarian, J P Lamb, came on a visit, he greeted her by saying ‘Ah, I see we have Veronica Lake with us today.’ (For younger readers, Veronica Lake was a Hollywood star famous for the peekaboo. It was so popular that, during World War II, the US government asked Lake to change her hair, as the impractical style was thought to cause accidents in factories.)

Veronica Lake, with her trademark hairstyle, and Joel McCrea in Sullivan’s Travels (1941)

Kath liked Walkley and her job. She remembers with affection the librarian, Mr Broadhurst, known to his staff as ‘Broady’, who used to throw Christmas parties at his home in nearby Northfield Road. There was also her friend, Olive Phillips, the Children’s Librarian, with whom Kath wrote and produced the play, The Magic Story Book, in 1949. ‘We loved it. We were young. We just did it.’ By 1950 Kath had been posted to Woodhouse Library, where she put the play on again, and was chronicled in the local newspaper. After Woodhouse came a job in the children’s library at Hillsborough. Kath remembers that staff were often transferred without warning from one branch to another and that all her professional training took place on the job.

Kath left the library service in 1952 when she got married.

I didn’t have to leave but my parents had opened a general store and I went to help out. We lived with my parents.

By 1954, Kath and her husband were established enough to sign the contract for a house. Kath returned to Sheffield Libraries, but

the only job was in Central Lending, and meant sometimes sitting on the enquiry desk which wasn’t a good experience. I’ve never been so frightened in my life.

She asked for a transfer and was sent as a Senior Assistant at Attercliffe Library, which turned out to be much better.

Tommy Osborne was the librarian. He had a tied cottage at Chatsworth, and told us that in the awful winter of 1947 he couldn’t get to work for eight weeks. But he used to invite us out there in the summer.

Tommy Osborne, his wife and some of the staff from Attercliffe Library at Chatsworth (photo by Kath Kay)

Some of the Attercliffe Library staff, at Tommy Osborne’s cottage at Chatsworth (photo by Kath Kay)

At Christmas 1958, ‘the Attercliffe children’s librarian made a model of Sputnik’, the satellite the Russians had put into space the year before, and suspended it from the library ceiling.

There was one ritual Kath recalls which applied no matter the library. Every Friday afternoon, someone from each branch made the journey, long or short, to the ‘Bin Room’, as it was called, at the Central Library. The purpose was to ‘collect the cleaners’ wages and clean tea towels’, but the occasion turned into an informal staff meeting, where you ‘met and chatted with everyone from the other libraries’.

In 1958 Kath became pregnant with her son, Chris, and left the library again. A couple of years later, the family moved to London, where Kath’s husband, a Customs & Excise official, had been posted. Kath got a job, mostly part-time, in a school in Kent for about eight years, where in the few hours a week she worked, she had to:

devise a system for a library of 20,000 books and choose new books with the teachers. I thoroughly enjoyed it and was there for years. It was convenient for looking after my own children. The library was on the top floor of a new 6th Form block.

In time this job led to another – library assistant in the science and engineering library at the Polytechnic of Central London (now the University of Westminster). ‘I got the job,’ Kath says, ‘because I had worked with 6th formers.’ Kath also looked after quite a few graduates doing a year’s work experience before doing their Masters course in Librarianship.

Upperthorpe Branch Library

In 1987, after 27 years in the south, Kath returned to Sheffield. She worked in the Health and Safety Executive library for a year and, in 1989, returned to Sheffield Libraries for the third and last time. Her job was at Upperthorpe, a grand Victorian building and the oldest branch library in the network. Someone had the idea of running some classes and said: ‘You’re interested in sewing and things. You could pass on some skills.’ The classes didn’t quite materialise, but a discussion group, the Tuesday Club. did. One member wrote:

I found [the Tuesday Club] filled a need in my life that until then I hadn’t realised I had. To meet new people who were not already sharing my hobbies and pursuits. … I had not realised how diffident I had become over the years, I didn’t want to meet new people and avoided even casual conversations on the bus or in the shops, in fact I had built a nice comfortable shell around my life and resented any intrusions. … I can’t say the Tuesday Club has changed me into a different person, but it has certainly broadened my outlook and made me friendlier, and I have found a lot of the confidence I had lost over the years.

You can read the letter in full here.

Kath retired in 1992, at the age of 61, but she was on the standby list until she was 65, working when she was needed, at Stannington and Walkley, where she had started all those years before. And librarianship remains a family profession. Kath’s daughter became a university librarian. And Kath enjoys her retirement.

The Secret Garden is still one of my favourite books to read, and I have a first edition now.

Librarians’ Voices: Looking Backward

After the reminiscences of Victorian Iibrarian Herbert Waterson, here are the memories of a colleague known only as ‘1905’. The article* appears, alongside Waterson’s, in the Sheffield Libraries staff magazine marking the opening of the new Central Library in 1934.   

In 1905, Sheffield’s Central Library was still in the Mechanics’ Institute on Surrey Street. Unlike in the early days, when it shared space with the Council and the Institute itself, the library now occupied the whole building. The Council had moved out to its splendid Town Hall in 1897. 1905 gives us a detailed description of the library arrangements.

The Mechanics’ Institute – home of Sheffield’s first public library

The Lending and Reference Libraries were on the ground floor, with an entrance in Surrey St. As Sheffield Libraries still used the ‘closed access’ system#, a long counter ran the length of the Lending Library with the issues ledger – the equivalent of today’s bar code readers – in the middle. On the left there was a bookcase where borrowers could inspect a few books, including ones on approval from W H Smith. The stock room was next to Lending on the same side of corridor.

This room was shelved to the ceiling, with metal stacks….

Reference was on the opposite side of the corridor, and was furnished with ‘long tables with comfortable chairs.’ There were books shelved in this room, but the public had no access. Beyond the libraries there was more book storage.

On the first floor was an office and, in the corner, the Chief Librarian’s room. There were separate Reading Rooms for men and women, reached from Tudor Street ‘up a long flight of stairs to the first floor’. The larger room – for men – had periodicals and magazines ‘tethered in alphabetical order on wooden benches … arranged in circular rows.’ Newspapers were placed on slopes in a large square. ‘Illumination was supplied by electric lamps augmented by large gas brackets fixed on the walls.

The Ladies’ Room was on the right of the entrance to the main room, and was much pleasanter. Small square tables with comfortable seats were provided, and the number of readers who used the room was perhaps astonishing.

(Query – why was this astonishing?)

On the top floor was the book-binding department and the caretaker’s flat, which had been moved up from the basement.

The carrying of volumes of books, newspapers and patents [up to book-binding] … was heavy manual labour, but the view obtained from the windows was generally considered adequate recompense…

The basement was used for storage and the ‘staff mess room’. This sounds woefully inadequate:

‘a large table by the kitchen fireplace with a small cupboard in which to keep crockery. … The washing arrangements … were very crude, two small hand basins being fixed under [a] flight of wooden steps.

1905 doesn’t mention facilities for children, but this is hardly surprising. Although some library authorities, such as Manchester, Cardiff and Nottingham, had services before 1900, children’s libraries are largely a 20th century development. There were some children’s books in Sheffield’s 1850s library, like Tom Brown’s Schooldays, but no-one under 14 years could join. According to The City Libraries of Sheffield, there was some progress towards the end of the 19th century, but it sounds rather dispiriting:

…some rather timid efforts were also made to cater for a school population … At first children were only allowed to come with their teachers. Later, tickets were given out in school and signed by the teachers, and could be used individually, but only the most fervent readers persisted long in their attendance, as there was very little stock suitable for the average child.

It would be 1924 before Sheffield opened its first separate children’s library, based on the very latest thinking, in the branch at Walkley.

To staff sitting in their room in the new Central Library in 1934, idly reading 1905’s article, things must have looked very different. The Daily Independent of 6 July 1934 reports:

As Sheffield was a pioneer among Yorkshire towns to provide a public library, it is not surprising that the New Central Library and Graves Art Gallery should once more give a lead to the county and, in many features, to the whole of England.

The new Library, which is certainly an up-to-date wonder treasure-house of knowledge, contains many features that are not to be found in any other library in the country…

Sheffield Central Library, opened in 1934, not long after the establishment of SINTO

 

* Looking Backward, by ‘1905’ (Wicket, 4 (2), 12-13, 1934). Quoted in An Oral History of Sheffield Public Libraries, 1926-1974 (Kelly, James R. MA thesis for the University of Sheffield (April 1983). Held by Sheffield City Archives (LD2390/1).

# In a closed access system, borrowers choose from a catalogue and library staff retrieve the books from stock.

Librarians’ Voices: Barbara Prater – Part One: Up to Lane Top

In the first of three posts, Barbara Prater, who now lives in Scotland, recalls working for Sheffield Libraries in the 1970s and ‘80s. Here she talks about the beginnings of her career and her move to Sheffield, ‘City on the Move’. Her first post was at the new Lane Top branch.   

I was born Barbara Page in East Ham, London in 1948. I left grammar school on a Thursday in July 1965 and, as instructed by my father, began my library career with East Ham Library the following Monday. After detailed training – a group of us were shown the only acceptable way to shape letters and numbers in order to ensure consistency with spine labels and book cards, and correct positioning of date sheets and book pockets – I was launched onto the unsuspecting public (and library staff) at Boleyn Branch Library, next to West Ham football ground.

I enjoyed the Swinging Sixties to the max, my friend and I regularly going ‘up London’ to the clubs and dance halls and arriving home on the last tube of the night. Life was perfect. Then in 1967 my father’s employer transferred him to Stirling – Gateway To The Highlands. After a couple of years I couldn’t stand the excitement of knitting on a circular needle and not being allowed in pubs. No self-respecting lady was ever seen in a pub. As a matter of interest, local government rules refused married ladies a permanent contract lest they become pregnant – regardless of their age. It was not quite like swinging London.

In 1970 a friend took me to visit his home town, Sheffield – City On The Move. I fell in love with the buzz of the smart new shops, clubs and markets, compared to sleepy old Stirling. I phoned Sheffield Central Library and asked if there were any vacancies. Soon after that I was busy on the issue desk in Stirling when the Deputy Librarian came and announced that I was summoned to the Chief Librarian’s office immediately. I hurried to the imposing, oak-panelled room wondering which of my many misdemeanours he had discovered. Mr Robertson gestured wordlessly towards the telephone receiver resting on his desk. I held it to my ear to hear the offer of a post with Sheffield City Libraries, processing stock for the new library opening at Lane Top, over Hillards Supermarket. I accepted, and headed off for the bright lights of Sheffield Lane Top.

The new Lane Top Library, above Hilliards

Whilst we sat up there at the worktops in front of the window, processing books and chatting, I noticed some suspicious activity down below us at the back of the terraced houses. I public-spiritedly dialled 999. We all looked on as the boys in blue hurdled the back fences in a pincer movement, from either end of the long terrace, before tackling the young lads who were trying to break into the house. We all let out a huge cheer as they were successfully captured. Later on one of the policemen popped round to inform us that the lads actually lived there and had lost their door key, but he praised us for Doing The Right Thing.

When the library was ready to be opened, the photographers arrived to take photos for a promotional brochure. We all (Peter Bayliss, Barbara Sorby and others whose names have sunk in the porridge of my brain) had to don our coats and strike Member Of The Public attitudes, to lend authenticity.

Pretending to be members of the public – Barbara is sitting at the desk.

During the time I was there, I got more training. I went on Mary Walton’s* excellent book repair course, which has stood me in good stead ever since. I learned how to bleach out biro scribble with a fine paintbrush, invisibly mend torn off corners, repair ‘perfect binding’ and re-attach spines constructed in various mediums.

When we opened, we had to deal with the culture shock of ‘decimalisation’ which had occurred during the time we were out of circulation. Charging fines in decimal currency seemed very exotic, and we were equipped with special charts to help calculate ‘new money’.

 

The next part of Barbara’s story will be posted shortly.

* Mary Walton was the first Sheffield Archivist and author of various books about the city.

Christine’s reading journey

By Sue Roe

Christine was born in 1940 and her reading journey was inevitably influenced by World War Two, though her parents and her choice of career in librarianship were clearly also important factors.

Christine, aged 14, playing snowballs at school

Christine has difficulty remembering her first experiences of reading:

You’ve started with a difficult question here. The first thing I can remember was at school. Things like Enid Blyton and Treasure Island particularly. That was the first thing that caught my eye.

The war meant that fewer books were available. Christine read what and where she could:

I can remember a boyfriend [of Christine’s sister] of the time bringing me one of these annuals – Stories for Girls annuals… I think he was trying to curry favour with my sister. It was just a gift, and it was second-hand!

Clearly even schools seemed short of books:

[At] about eight or nine, I won a school prize. The teacher gave me a book, but it was a second-hand book. It was one of her [Christine’s teacher’s] books. The prize was a second-hand book! So you didn’t buy books then, well, not in my experience.

The prize seems to have been Anne of Green Gables, the children’s classic much loved by many of the Reading Sheffield interviewees. Christine was also reading Enid Blyton (whose books were ‘exciting. Different. A different world’) and books about life in girls’ boarding schools.

Left to myself, I went through the entire Chalet School [series] like a dose of salts. That’s the thing that really comes over to me – the Chalet School books.

It was at this stage that buying books became important, although she didn’t have much pocket money: 

We used to go into Andrews [a Sheffield bookseller] and a treat would be for me to save my pocket money, so I did collect all the earlier Chalet School books. I think I used to take my mum in and she used to help me out. So they were always considered a luxury.

Although he was away in the army for the duration of the war, Christine’s father played an important part in her reading. This was in contrast to her mother whom Christine ‘can’t ever remember … having any direct influence’. Christine still recalls her father’s collection of books:

The only books we owned were in the bookcase that was full of my father’s books and they were of the ‘Great Short Stories’ type: Great Short Stories of the World and Dashiell – Dashiell Hammett… As I grew up, I was encouraged to read them …

After the war, he would:

…push me towards these classics that were in the bookcase: the Wilkie Collins and that type of thing, which probably was a little bit old for my age group… I struggled a bit with some of the classics that my father wanted me to read.

He also encouraged her to enter competitions in the Children’s Newspaper which they had at home:

It was a short story competition and I got an ‘honourable mention’.

When she moved to the grammar school, Christine was able to take advantage of the class library – a cupboard of books such as H G Wells’ Kipps. At this point she started reading war stories:

I used to win prizes as well at school (a real swot!) and … we were always taken to the bookshop and the books I chose I’ve still got them and some were non-fiction and I got The Cruel Sea and C S Forester’s The Good Shepherd and then Best Foot Forward, which is a war story about someone who lost his leg[s] and is a bit like Douglas Bader…

 

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These war stories had a profound effect:

I’m a convinced pacifist. I think war is absolutely stupid … I think he[her father] thought I was a bit of a leftie because by the time I was 18, 19, I’d already joined CND.

Libraries were an important stop on Christine’s reading journey from an early age:

I did start going down to Central Children’s Library but I think I was older, I think it was when I wanted to be independent when I was eleven or twelve.

When she was 16, Christine went to stay with a distant relation who was ‘deputy chief librarian for Tottenham libraries’. He gave her a ‘book list’ and brought books for her to read, including The Crowthers of Bankdam and Marjorie Morningstar. Christine herself started working in libraries around then. This influenced her reading in several ways:

I got hooked on light reading. Certainly Georgette Heyer. I got through all of those and I think Lucilla Andrews, who wrote about doctors and nurses and I got through those as well.

Christine took an Open University course and professional librarian exams over the years, with the support of her employers. This led to her reading particular sorts of books, not always to her taste:

The first professional exam was a four-part thing and one part was Literature, so again I had to read things like Charlotte Bronte. … Again I was pushed into reading certain books. Again it was Victorian novelists. You’ve not got time to do anything else.

[With] the Open University I did the novel course so obviously again I had to plough through Dickens and Hardy.

Her love of books continued after retiring from the library service. She worked part-time in a children’s bookshop and had her favourites there too:

One of my favourites is The Elephant and the Bad Baby. It’s an early Raymond Briggs… [Also]  The Mole Who Knew It Was None of His Business. And Peepo! Again, it’s got a war theme in it. When you see the father, he’s wearing a uniform.

Nowadays Christine enjoys crime rather than war stories:

I go more for the detective solving the crime… It’s trying to work out ‘whodunit’ and get there.

It is amazing Christine managed to fit in so much reading:

Well, because over the years I’ve studied [for] so many different exams and had to be tied in to what they wanted to read and had children. A full-time job; two children and I was studying first for a degree in and then for a master’s, so I hadn’t really got much time.

 

You can read Christine’s full interview or listen to the audio here.

 

Gillian Applegate’s Reading Journey

Gillian Applegate was born on 27 October 1941, in Frecheville which was then in Derbyshire but is now part of Sheffield. Gillian worked first in banking but later became a college librarian. She married in 1964, and her husband, Norman, died suddenly, at the relatively young age of 63. Gillian has one daughter, Jane, and a grandson.     

 

For Gillian, books have brought not only passing pleasure but also lasting fulfilment and content.

When Gillian retrained as a librarian, she qualified with distinctions and merits and her husband Norman said: ‘Oh, I knew you’d pass. It’s as if you were rehearsing all your life.’ He meant of course that books had always been part of Gillian’s life. Her parents encouraged her from the first as they wanted their daughters ‘to read and be educated’.

I remember at school – I don’t know whether they do it now – but on a Friday afternoon, always the teachers read you a story – Milly Molly Mandy, Worzel Gummidge – and I absolutely adored it and I think that from when I could read, I’ve always had a book in my hand.

I got into libraries later in life. I worked at Castle College as a cashier … and I … was offered a job in the library which I adored.  I’d found where I belonged, I think.

The time came when Gillian was very grateful for books. Gillian’s husband, who ‘had rheumatic fever as a child [and] was left with a murmur in his heart’, died suddenly and left her grieving. But books, says the interviewer, ‘seem to have opened the door to social activities.’ They came to the rescue, both socially and for comfort.

I’ve always had books and sort of read at home but not a lot. But I think it really came back when I was widowed ten years ago. He’d gone out walking, my husband, and had a massive heart attack. At least I didn’t see him ill, but it was such a shock and devastating.

When I was older, when I was widowed, a friend invited me to go to a book club. My sister … said “I think you should, because you always had a book in your hand.” And it saved me really, in bereavement.

If I woke up in the middle of the night, I’d got a book on the go, rather than get upset, just switch the light on and read the book.

‘Everybody was so kind,’ Gillian says, ‘and asked me to go to things and I went to everything.’ This included two book clubs: Sundays at Waterstone’s Sheffield bookshop and Wednesdays at the City Library. One of the first books Gillian read this way was Tracy Chevalier’s Girl with a Pearl Earring:

[It] was a bit tedious and everything but then a lady said, ‘There’s a film and they’re having it at the Anvil [a Sheffield cinema]’ and about six or seven of us went to the film and it sort of got me into circulation again after I’d been bereaved because this little nucleus started going to exhibitions. We read a book about the plague, I’d never been there and we went to Eyam,* and it sort of started life beginning again, shall we say.

In time, Gillian found a new partner (‘I’m certainly lucky to have met my partner. … And we do have fun together, laugh a lot’) and so resigned from these book groups. But she found herself starting and running another group:

… for three years I’ve been running the book club for the Oddfellows. … We meet at Crucible Corner: it was buzzing with the snooker and we’re again using the libraries: we borrow them at the libraries, so it can only be ten members because they only lend you ten books.

Oddfellows is a national social and support group. Gillian joined through a friend.

[Oddfellows] evolved from the guilds when everybody bound together and helped each other. They helped if you were ill and everything like that. … So when we meet it is really to help people meet people, meet together and have holidays. … They’re some of the nicest people I’ve ever met. We help each other and do different things.

The Oddfellows book club was Gillian’s own idea:

… I just thought ‘They haven’t got a book club’ because we had walks, different things, and I said to the secretary, ‘Can I start a book club?’ and he said, ‘By all means, it’s in the diary’. It was quite slow at first and then people, it wasn’t what they wanted and they dropped out. It’s all women, unfortunately. We’ve had men but it’s all women. We’ve got a lovely nucleus of nice ladies and we meet there and he supports us very much.

The members choose books in turn, ‘so we’ve all sorts’. At the time of her interview, Gillian had just got from the library copies of Julie Buxbaum’s The Opposite of Love (2009), a modern romance, but the group has also read: David Mitchell’s Cloud Atlas (‘that was hard going and a lot of violence. I wouldn’t say it was my favourite book’); and Call the Midwife, by Jennifer Worth (‘we’d actually read that before it came on television.’)

The book group also has occasional outings, linked to the books being read, and entertained visiting authors:

… we’ve had Bryony Doran who wrote The China Bird (2011), and she came and that was lovely.  And one our members is Marjorie Dunn. Again, my love, she writes historical novels, so she’s come and visited us.

The book club helps Gillian indulge her lifelong love of history. She mentions enjoying Hilary Mantel, Helen Dunmore, Catherine Bailey and, in her youth, Jean Plaidy and Margaret Mitchell. ‘I’ve always had a love of history. Even now, if we’re in quizzes, I’m pretty on the ball if they ask historic questions.’ Her teachers hoped that she would study it at university, but her mother, ‘a very strong woman’, put a stop to this:

Silly now, but she said girls don’t need an education. You’ll get married – which you’re not forced to, are you? – you know, or you could get married and lose your husband in various ways, or never get married but at the time I think she actually got me my first job, in the bank, because she was a legal cashier and paid in and asked if they’d got any vacancies. So I went to what was the National Provincial Bank and became the National Westminster Bank near the Cathedral.

We were all so busy, we were young. It was actually a good time, although it wasn’t the job of my dreams I did enjoy it.

When the interviewer wonders ‘if reading comes into people’s lives very often when there aren’t other things to grab them’, Gillian agrees:

Yes, I think so, but now I shan’t let it go, now I’m back to it.

 

* Eyam is a small village in Derbyshire, not far from Sheffield. In 1665 there was an outbreak of bubonic plague and the villagers quarantined themselves to prevent the disease spreading. They were shut away for 14 months and only 83 residents survived, out of about 350.  The book Gillian read may have been Year of Wonders (2011), by Geraldine Brooks.

 

Librarians’ Voices: Maureen A: ‘Like a large family’

Maureen worked in Sheffield Libraries between 1967 and 1997.   She remembers the fun she and her colleagues had.

We really were like a large family, with all the problems that families have but in the knowledge that we’d got support from colleagues when we needed it.

Maureen’s first experience of the public library was in the Ecclesall branch, then located in a grand Victorian house bought by the city and converted.

It was a pleasant place to work, and power cuts made life interesting on winter nights, with lamps at each end of the counter, and eager borrowers hunting for their books with torches.  I’m ashamed to say that the staff took great delight in embarrassing those readers who wanted a particular title.  We would call through to the office, saying that Mr So-and-so would like to borrow this title, and make sure that the whole library could hear!  Saturday afternoons were busy, and livened up by blokes rolling in from the Prince of Wales pub just across the road.   

The Central Lending Library in Surrey Street was very different.

Sheffield Central Library

This was quite an eye opener, as it was vast, with an equally vast Browne charge.(1)  I often wondered how many miles we covered simply shelving books.

On my first evening duty a woman brought in a beautiful fox cub, but it leapt out of her arms and disappeared around the bookshelves.  It obviously hadn’t received obedience training!

This was before computerisation, and Maureen remembers the changeover from paper, which was successful ‘due to the tenacity of the Lending Librarian and his deputy’.

Every pink catalogue card had to be checked, and by the end of the day all the staff were seeing everything in green.(2)  There was near hysteria when word came from on high that all the book cards were to be thrown into bins, and five minutes later that they were to be kept!

In 1975 Maureen moved to the Sheffield Interchange Organisation (SINTO), a partnership between the library service and industry.  One of her jobs was to organise the SINTO AGM, to be held in the Graves Art Gallery and chaired by the redoubtable Councillor Enid Hattersley.

[In the gallery] there was the famous picture of some 50 naked women stuffed into a phone box.(3)  Councillor Mrs Hattersley … was standing right in front of this picture with her drink, when a press photographer arrived, and Mrs. Hattersley, always ready for a picture, smiled.  And click!

Occasionally Maureen had to ‘descend into the depths’.  This was the library stack or basement store, with six miles of shelving – or was it twelve? Maureen wonders.  It stretched across the whole site and housed ‘a vast amount of technical journals, standards, patents, EEC documents, as well as an overflow of lending material’.  It could be spooky at night.

One dark night I went down for something, and nearly had a heart attack, because someone with a hideous face and long fair hair appeared, leaning against a wall.  I got out fast!  It turned out to be a prop from the production in the Library Theatre.

The ‘stack ladies lived a troglodyte existence’.  They looked after the strongroom where the most important materials were kept.  If the Local History librarians upstairs asked for something from there, this was quite a job.  The stack lady had to be:

‘strong enough to open the door.  You would think that there were gold bars in the place, and the books themselves could be very large and very heavy and the book lift up to Local Studies wasn’t exactly close.

Maureen remembers many Christmas celebrations.

[We had a meal] at the Norfolk Arms at Ringinglow, on one very snowy night.  It was decided that a cabaret would cheer up the festivities, so four of the male staff dressed in ballet tutu skirts and walking boots and performed the Dance of the Little Swans from Swan Lake.  It was so funny that all the bar staff rushed in followed by umpteen customers, and the whole place was heaving with laughter.

The highlight of the year was the panto, ‘very well organised’ by various colleagues.  Maureen did the music.

Peter Pan was the first, followed by Aladdin, Robin Hood and then Snow White.  Someone sang the very deep bass priest’s song from the Magic Flute, and I played a piano version of George Formby’s When I’m Cleaning Windows.  From the sublime to the ridiculous.

 

(1) The usual borrowing system before computers.  The library assistant would take the record card from the book and file it with the borrower’s ticket in long trays, in date order, until the book was returned. Here is a photo.

(2) Looking at one colour (pink in this case) for a long time makes you see the complementary colour (which is green).

(3) Sadly, we’ve been unable to trace this interesting painting.