Christine’s reading journey

By Sue Roe

Christine was born in 1940 and her reading journey was inevitably influenced by World War Two, though her parents and her choice of career in librarianship were clearly also important factors.

Christine, aged 14, playing snowballs at school

Christine has difficulty remembering her first experiences of reading:

You’ve started with a difficult question here. The first thing I can remember was at school. Things like Enid Blyton and Treasure Island particularly. That was the first thing that caught my eye.

The war meant that fewer books were available. Christine read what and where she could:

I can remember a boyfriend [of Christine’s sister] of the time bringing me one of these annuals – Stories for Girls annuals… I think he was trying to curry favour with my sister. It was just a gift, and it was second-hand!

Clearly even schools seemed short of books:

[At] about eight or nine, I won a school prize. The teacher gave me a book, but it was a second-hand book. It was one of her [Christine’s teacher’s] books. The prize was a second-hand book! So you didn’t buy books then, well, not in my experience.

The prize seems to have been Anne of Green Gables, the children’s classic much loved by many of the Reading Sheffield interviewees. Christine was also reading Enid Blyton (whose books were ‘exciting. Different. A different world’) and books about life in girls’ boarding schools.

Left to myself, I went through the entire Chalet School [series] like a dose of salts. That’s the thing that really comes over to me – the Chalet School books.

It was at this stage that buying books became important, although she didn’t have much pocket money: 

We used to go into Andrews [a Sheffield bookseller] and a treat would be for me to save my pocket money, so I did collect all the earlier Chalet School books. I think I used to take my mum in and she used to help me out. So they were always considered a luxury.

Although he was away in the army for the duration of the war, Christine’s father played an important part in her reading. This was in contrast to her mother whom Christine ‘can’t ever remember … having any direct influence’. Christine still recalls her father’s collection of books:

The only books we owned were in the bookcase that was full of my father’s books and they were of the ‘Great Short Stories’ type: Great Short Stories of the World and Dashiell – Dashiell Hammett… As I grew up, I was encouraged to read them …

After the war, he would:

…push me towards these classics that were in the bookcase: the Wilkie Collins and that type of thing, which probably was a little bit old for my age group… I struggled a bit with some of the classics that my father wanted me to read.

He also encouraged her to enter competitions in the Children’s Newspaper which they had at home:

It was a short story competition and I got an ‘honourable mention’.

When she moved to the grammar school, Christine was able to take advantage of the class library – a cupboard of books such as H G Wells’ Kipps. At this point she started reading war stories:

I used to win prizes as well at school (a real swot!) and … we were always taken to the bookshop and the books I chose I’ve still got them and some were non-fiction and I got The Cruel Sea and C S Forester’s The Good Shepherd and then Best Foot Forward, which is a war story about someone who lost his leg[s] and is a bit like Douglas Bader…

 

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These war stories had a profound effect:

I’m a convinced pacifist. I think war is absolutely stupid … I think he[her father] thought I was a bit of a leftie because by the time I was 18, 19, I’d already joined CND.

Libraries were an important stop on Christine’s reading journey from an early age:

I did start going down to Central Children’s Library but I think I was older, I think it was when I wanted to be independent when I was eleven or twelve.

When she was 16, Christine went to stay with a distant relation who was ‘deputy chief librarian for Tottenham libraries’. He gave her a ‘book list’ and brought books for her to read, including The Crowthers of Bankdam and Marjorie Morningstar. Christine herself started working in libraries around then. This influenced her reading in several ways:

I got hooked on light reading. Certainly Georgette Heyer. I got through all of those and I think Lucilla Andrews, who wrote about doctors and nurses and I got through those as well.

Christine took an Open University course and professional librarian exams over the years, with the support of her employers. This led to her reading particular sorts of books, not always to her taste:

The first professional exam was a four-part thing and one part was Literature, so again I had to read things like Charlotte Bronte. … Again I was pushed into reading certain books. Again it was Victorian novelists. You’ve not got time to do anything else.

[With] the Open University I did the novel course so obviously again I had to plough through Dickens and Hardy.

Her love of books continued after retiring from the library service. She worked part-time in a children’s bookshop and had her favourites there too:

One of my favourites is The Elephant and the Bad Baby. It’s an early Raymond Briggs… [Also]  The Mole Who Knew It Was None of His Business. And Peepo! Again, it’s got a war theme in it. When you see the father, he’s wearing a uniform.

Nowadays Christine enjoys crime rather than war stories:

I go more for the detective solving the crime… It’s trying to work out ‘whodunit’ and get there.

It is amazing Christine managed to fit in so much reading:

Well, because over the years I’ve studied [for] so many different exams and had to be tied in to what they wanted to read and had children. A full-time job; two children and I was studying first for a degree in and then for a master’s, so I hadn’t really got much time.

 

You can read Christine’s full interview or listen to the audio here.

 

Chris F’s reading journey

Chris F was born in 1939, in the Whirlowdale area of Sheffield. He attended boarding school and Cambridge, where he read engineering.  He returned to Sheffield and worked there all his life.

But on the whole I have to say it’s the land of make-believe in most of my reading.

Chris is very clear that he reads, and always has read, for entertainment.  He usually relaxes, for example, with a book for half an hour or so before sleep, and says that most of his books ‘have been bought at airports’.  But if you think that books are not particularly important to him, or that he has not thought about their impact on his life, then you would be wrong.  As our interviewer said:

And clearly books have been so important in your life that you can’t imagine one without.

Chris’ introduction to reading was traditional.  The books he remembers from his childhood were staples: A A Milne’s Winnie the Pooh, Allison Uttley’s Little Grey Rabbit and Beatrix Potter.  At school, he graduated to Enid Blyton and then to school stories like Billy Bunter. Thousands of schoolboys in the middle of the 20th century must have had a similar start.  Chris was one of those in whom the habit of reading was firmly set by authors who told a good tale.

It must also have helped that Chris grew up in a house filled with books.  He doesn’t remember being urged to read by his parents but ‘the means of doing it was there’.

I never recall actually going to a library because we had an enormous number of books at home … Which my parents had. I’m rather like my father, once you get a book you never throw it away.

He remembers lots of crime, with Agatha Christie, Ngaio Marsh and the less well-remembered Carter Dickson/John Dickson Carr.  There was also some real-life crime:

… It was the life of the pathologist Sir Bernard Spilsbury which I found very nice and gory at the time, I enjoyed it.

It was around this time that Chris found Nevil Shute, ‘who I think is probably my overall favourite author, which I started reading having seen the film of A Town Like Alice’. Even now, years later, he still enjoys these novels, which he says are gentle and believable:

I got all the books and I, oh about every five or six years I start again at the beginning. I re-read a lot of old favourites.

Requiem for a Wren

In Chris’ teens lots of his books came through his joining the Companion Book Club:

… you didn’t get any choice in those days, you got the book that they sent you. I’ve still got them all. Five bob a month it was and you finished up with a novel you probably would never have read otherwise.

By now, Chris had developed a taste for adventure, so Alistair McLean’s HMS Ulysses, his first book from the Companion Book Club, was very welcome. McLean was followed by C S Forester, Dennis Wheatley and Dornford Yates.  Chris laughs as he recalls Dennis Wheatley:

… the house library at school had one or two Dennis Wheatleys and they all had the salacious bits in them and we all knew where they were, pages 27 and 28, and if you opened the book they were well-thumbed.

The interest in adventure – swashbuckling, espionage, war, arch criminals etc – remained constant from school, through university, into adulthood and working life.  Chris remembers, with pleasure still, the adventures of Simon Templar alias The Saint, James Bond alias 007 and Dr Syn alias the Scarecrow and Captain Clegg.

Chris has tried reading some of the books he enjoyed, like Frank Richards’ Billy Bunter, to his grandsons, but with mixed results.

I’ve tried to get my grandsons involved but I have to say, modern boys are very difficult to get to read because they’ve all got their little widgets that they play with and watch television the whole t-time. It was books like Billy Bunter and like Enid Blyton that got me reading and I think got my generation reading.

He is concerned by what he sees as the declining interest in reading among children.  He accepts that they gain a lot through technology (he is learning to use his own Kindle) but fears the next generation will:

have a terribly limited outlook on life … I do despair a little because with the modern exam system and the way that kids don’t read in our days we shall finish up with children with very narrow horizons.

What about improving books then? Were you led to see [reading] as an improving thing? asks the interviewer.

Well, we had books that we were studying and that we had to read. And funnily enough I can remember well the … the books that at the age of about 13 when I went away to public school that we had to read and thinking ‘Oh God, these are heavy going’. But I’ve read them again since and thoroughly enjoyed them. I think there is a difference when you actually have to read them and be questioned on them…

1st US edition of Darkness at Noon, 1941

1st US edition of Darkness at Noon, 1941

These were books like Darkness at Noon (1940) by Arthur Koestler – the story of a Bolshevik who falls victim to Stalin during the purges of the 1930s.   Chris still occasionally reads books his teachers would have thought of as improving:

I’m half way through Great Expectations, I never really read Dickens. I had to do Dickens at schools but I read Nicholas Nickleby recently and I’m reading Great Expectations now.

But it is the authors like Dornford Yates, C S Forester and Nevil Shute, whom he found for himself, that he goes back to, happy to re-read them:

… to take you away into a land of make believe.

Nevil Shute

Nevil Shute