By Sue Roe
Christine was born in 1940 and her reading journey was inevitably influenced by World War Two, though her parents and her choice of career in librarianship were clearly also important factors.
Christine has difficulty remembering her first experiences of reading:
You’ve started with a difficult question here. The first thing I can remember was at school. Things like Enid Blyton and Treasure Island particularly. That was the first thing that caught my eye.
The war meant that fewer books were available. Christine read what and where she could:
I can remember a boyfriend [of Christine’s sister] of the time bringing me one of these annuals – Stories for Girls annuals… I think he was trying to curry favour with my sister. It was just a gift, and it was second-hand!
Clearly even schools seemed short of books:
[At] about eight or nine, I won a school prize. The teacher gave me a book, but it was a second-hand book. It was one of her [Christine’s teacher’s] books. The prize was a second-hand book! So you didn’t buy books then, well, not in my experience.
The prize seems to have been Anne of Green Gables, the children’s classic much loved by many of the Reading Sheffield interviewees. Christine was also reading Enid Blyton (whose books were ‘exciting. Different. A different world’) and books about life in girls’ boarding schools.
Left to myself, I went through the entire Chalet School [series] like a dose of salts. That’s the thing that really comes over to me – the Chalet School books.
It was at this stage that buying books became important, although she didn’t have much pocket money:
We used to go into Andrews [a Sheffield bookseller] and a treat would be for me to save my pocket money, so I did collect all the earlier Chalet School books. I think I used to take my mum in and she used to help me out. So they were always considered a luxury.
Although he was away in the army for the duration of the war, Christine’s father played an important part in her reading. This was in contrast to her mother whom Christine ‘can’t ever remember … having any direct influence’. Christine still recalls her father’s collection of books:
The only books we owned were in the bookcase that was full of my father’s books and they were of the ‘Great Short Stories’ type: Great Short Stories of the World and Dashiell – Dashiell Hammett… As I grew up, I was encouraged to read them …
After the war, he would:
…push me towards these classics that were in the bookcase: the Wilkie Collins and that type of thing, which probably was a little bit old for my age group… I struggled a bit with some of the classics that my father wanted me to read.
He also encouraged her to enter competitions in the Children’s Newspaper which they had at home:
It was a short story competition and I got an ‘honourable mention’.
When she moved to the grammar school, Christine was able to take advantage of the class library – a cupboard of books such as H G Wells’ Kipps. At this point she started reading war stories:
I used to win prizes as well at school (a real swot!) and … we were always taken to the bookshop and the books I chose I’ve still got them and some were non-fiction and I got The Cruel Sea and C S Forester’s The Good Shepherd and then Best Foot Forward, which is a war story about someone who lost his leg[s] and is a bit like Douglas Bader…
These war stories had a profound effect:
I’m a convinced pacifist. I think war is absolutely stupid … I think he[her father] thought I was a bit of a leftie because by the time I was 18, 19, I’d already joined CND.
Libraries were an important stop on Christine’s reading journey from an early age:
I did start going down to Central Children’s Library but I think I was older, I think it was when I wanted to be independent when I was eleven or twelve.
When she was 16, Christine went to stay with a distant relation who was ‘deputy chief librarian for Tottenham libraries’. He gave her a ‘book list’ and brought books for her to read, including The Crowthers of Bankdam and Marjorie Morningstar. Christine herself started working in libraries around then. This influenced her reading in several ways:
I got hooked on light reading. Certainly Georgette Heyer. I got through all of those and I think Lucilla Andrews, who wrote about doctors and nurses and I got through those as well.
Christine took an Open University course and professional librarian exams over the years, with the support of her employers. This led to her reading particular sorts of books, not always to her taste:
The first professional exam was a four-part thing and one part was Literature, so again I had to read things like Charlotte Bronte. … Again I was pushed into reading certain books. Again it was Victorian novelists. You’ve not got time to do anything else.
[With] the Open University I did the novel course so obviously again I had to plough through Dickens and Hardy.
Her love of books continued after retiring from the library service. She worked part-time in a children’s bookshop and had her favourites there too:
One of my favourites is The Elephant and the Bad Baby. It’s an early Raymond Briggs… [Also] The Mole Who Knew It Was None of His Business. And Peepo! Again, it’s got a war theme in it. When you see the father, he’s wearing a uniform.
Nowadays Christine enjoys crime rather than war stories:
I go more for the detective solving the crime… It’s trying to work out ‘whodunit’ and get there.
It is amazing Christine managed to fit in so much reading:
Well, because over the years I’ve studied [for] so many different exams and had to be tied in to what they wanted to read and had children. A full-time job; two children and I was studying first for a degree in and then for a master’s, so I hadn’t really got much time.
You can read Christine’s full interview or listen to the audio here.