Fresh from a WW1 Field Kitchen: a Palatable Recipe from Erich Maria Remarque’s All Quiet on the Western Front (1928)

By Chris Hopkins

For our fourth Heritage Open Days blog, Chris Hopkins, Emeritus Professor of English at Sheffield Hallam University, looks at food in a German novel which was tremendously popular in Britain.


Dust-wrapper from Putnam’s Cheap Edition, 1930, scanned by the author from copy in his collection.
 

Erich Remarque’s novel about the trenches was first published as a newspaper serial in Germany in 1928 and grabbed public attention both because it remembered a war which many people did not wish to talk about openly at this point, and because it was seen as vehemently opposed to war (leading to the work being denounced by Nazi newspapers, and later being banned and burnt when the Nazis came to power). It very soon appeared as a book, quickly became a best-seller in Germany, and was translated swiftly into some twenty-two languages. The English version by A W Wheen was published in 1929, with the German title, Im Westen nichtes Neues translated as All Quiet on the Western Front (rather than the more literal, ‘Nothing New in the West’.) This equally became an immediate best-seller both in Britain and the USA. Many readers and critics (though by no means all) who were veterans of the trenches saw it as capturing trench warfare for the ordinary infantryman with astonishing accuracy, often leading to a sense that whichever side one had fought on, the war was a shared experience of futile agony. The American film-version (directed by Lewis Milestone, produced by Universal Studios, 1930) was also a critical and public success, and both novel and film have been written about extensively ever since.

Still from the 1930 film: central character Paul Bäumer with a French woman (actress uncredited), when his platoon is behind the lines, and with his ‘gift’ of bread and sausage prominent. Though in both novel and film, this incident is relatively romanticised, the relationship is clearly in the nature of an exchange of scarce food for sex. Image from the Realart Pictures theatrical re-release of the film between 1948 and 1966 (scanned by the author from his collection).

Food might not seem the most central topic in a war book, but in fact there is a great deal of reference to food in All Quiet on the Western Front and it plays an important part in the book. The young men in the trenches (most schoolboys only months before) are hungry nearly all the time, and food is one of their few sources of pleasure and comfort, but ‘our provisions are generally bad’ (Vintage kindle edition, translated by Brian Murdoch, 1993, location 1272). A German veteran, Karl von Clemm, interviewed in Episode 2 of the excellent ‘People’s Century’ documentary, The Killing Fields: 1914, (BBC 1, first broadcast in the UK September 1995) recalls that they were often issued with soup made of dried vegetables, which was nicknamed ‘barbed wire’, because it was so hard and tasteless, unless you could find some meat to add. He says that a horse freshly killed by gunfire would be quickly stripped completely of its flesh by passing infantry so they could improve their meals (a YouTube copy covers French, British and German trench provisions from16.55 to 18.36 minutes in: People’s Century Part 02 1914 Killing Fields – YouTube). Poor food was common in British trenches too, and of course, delivery of hot, varied and nutritious food to the front-line was difficult, but the German situation became increasingly bad as the allied blockade of German ports had a major impact on food supplies for both civilians and soldiers.

All Quiet begins with a meal. It is the first thing the central character, Paul Bäumer, tells us about:

We are in camp five miles behind the line. Yesterday our relief arrived; now our bellies are full of bully beef and beans, we’ve had enough to eat and we’re well satisfied. We were even able to fill up a mess-tin for later, every one of us, and there are double rations of sausage and bread as well – that will keep us going. We haven’t had a stroke of luck like this for ages.

All Quiet on the Western Front, location 30.

The great stroke of luck the company has had is that they have been sent huge quantities of food – enough to satisfy even their hunger. It is, though, as Paul, says all a mistake (‘the Army is never that good to us’). When they were sent into the front trenches, there were one-hundred-and fifty men, but a British artillery barrage has caught the company badly, and seventy men have been killed. This is the good luck – Paul and his comrades have been sent seventy extra meals, which they do their best to eat. Of course, part of the point of this opening incident is to make clear, without ever having to state it, how much the war has desensitised these boys, has made the grossly abnormal, normal: they have no time, nor will, to think about seventy dead men, but are glad to eat their fill. The extra food is still at least a bodily and mental comfort, whatever outrage delivered it to them.

There are dozens of references to food in the novel – mainly to beans, potatoes, turnips, bread and beef, which are the most common rations (the beef is usually bully beef, and Paul says that when they can, they take enemy corned beef from captured trenches because it is so much better tasting). The turnips are fine as turnips, but have bad associations because the overall German food situation is so bad that the authorities have had to resort to ersatz foods. A new recruit reports, perhaps sarcastically, on his food in the barracks before being sent to the trenches: ‘Bread made out of turnips for breakfast, turnips for lunch, and turnip cutlets with turnip salad in the evening’ (location 392). They seem rarely to be given other vegetables (not even dried), but they do crave them (‘we want fresh vegetables’, location 2456) and they steal potatoes, peas, carrots and cauliflowers from the farmers’ fields when they can. We get a few references to Army meals: in the barracks there is ‘a watery rice soup’ (location 2015) with miniscule strips of beef, and there is one reference to luxurious sausages with red cabbage being served in the hospital, but the staples seem to be hashes or stews of corned beef cooked with potatoes or with beans, the last being most popular with the men.

German soldiers at a field kitchen in World War One (F7PHM6) (copyright History World Archive/Alamy Images and reproduced with their kind permission).

Sometimes, the men think of favourite meals from home (‘buckwheat pancakes with bacon’ in one case), but ironically in fact such meals have disappeared: food for the Army is prioritised and the civilians are starving. When Paul goes home, he is given by his mother the great treat of potato pancakes with cranberries, but this is now a rare thing. Anticipating the situation, he has managed illicitly to obtain some army supplies for his family, and empties from his pack: ‘a whole Edam cheese … two Army-issue loaves, three-quarters of a pound of butter, two cans of liver sausage, a pound of lard and a bag of rice’ (location 1720). When his mother asks him if he has enough to eat ‘out there’, he says they manage. One night at the front, when the men are occupying a ruined factory and have nothing to eat, and cannot sleep for hunger, the character Tjaden (unhelpfully?),

Describes his local specialty, broad beans cooked with bacon. He is scathing about people who try to cook it without the right chopped herbs. But the main thing is that the ingredients all have to be cooked together – the potatoes, beans and bacon must not, for God’s sake, be cooked separately. Somebody grumbles that he will chop Tjaden into the right herbs if he doesn’t shut up at once.

All Quiet on the Western Front, location 424.

I am not saying that other dishes named in the novel might not be worth trying (those buckwheat pancakes, and no doubt miracles can be done with corned beef and potatoes, though not keen on the horse-meat …), but Tjaden’s favourite recipe is actually one I recognise and have often cooked and eaten, so it is my suggestion if you would like to try some food craved by these trench-dwellers, if not actually produced by a field kitchen. The dish is usually called Hanoverian Hot-pot and the way I make it is to fry onions, bacon and potatoes in rapeseed oil, then add stock and sliced carrots, and a sliced cooking apple. When the potatoes and carrots are not quite done, add broad beans, and green beans. Also add at this point two bay leaves, a bouquet garni, and chopped fresh dill (or dried if necessary) – which I can only hope are the right herbs according to Tjaden. Cook until the vegetables are all done and the apple has collapsed into the stock, thickening and flavouring it (if you like quantities and more precise timings here is a more professional recipe, with some minor variations from my method: Hanovarian bacon hotpot recipe | Schwartz). I hope it is palatable – a meatless version is good too – enjoy!

I’m not sure if Tjaden would approve of either of these versions of his dish (I do not cook everything together quite, and the apple seems essential and distinctive to me). I realise that my blog has had a slight change of gear towards the end, turning from lit crit to cookery, but the serious point about All Quiet on the Western Front remains. Food is important in the novel partly because it satisfies (for a while) a craving for the comfort of body and mind, but also at the same time shows that the lives of these soldiers are reduced to the basics. If they can sleep and find food, and stay alive, they can, in this abandonment of all other ambition, ask no more. Food in the novel is strongly linked to theft and lawlessness – the odd ‘lucky’ slaughter of comrades apart, it is the only way to get good food – but also to self-reliance: it is one of the few things the men can influence themselves and use their skills, knowledge and ingenuity on. They care nothing now for the nation-state they are supposedly fighting for, or for any larger social structure: they are set down in a world which makes little sense, and they must make their own way in it. The novel somehow simultaneously lets us understand the losses (including notable moral losses) brought about by being reduced to the basics, but also lets us appreciate how important those basics are. The comrade Paul most admires is Katczinsky, known as Kat, largely because of his food-gathering skills. The night when they cannot sleep for hunger in the ruined factory, and after Tjarden shares his recipe, Kat saves them by actually delivering real food:

Kat appears … he is carrying two loaves under his arm, and a blood-stained sandbag full of horsemeat in his hand …Kat has the knack of cooking horse-meat so it is really tender. You mustn’t put it straight into the pan or it will be too tough. It has to be parboiled in a little water beforehand. We sit around in a circle with our knives, and fill our bellies.

That’s Kat … he can find anything – camp stoves and firewood when it is cold, hay and straw, tables, chairs – but above all he can find food. No one understands how he does it … his masterpiece was four cans of lobster. Mind you, we would really have preferred dripping instead.

All Quiet on the Western Front, location 439.

What most satisfying and sustaining – sophistication or the most basic things? Depends on your situation. Lobster or dripping for you?

On the Centenary of the Armistice

Privates John Charles Hobson and John Sydney Abey have lain in the soil of northern France for over a hundred years. Of the 5,000 men Sheffield lost in the First World War, they are the only library workers, and their names appear on the Sheffield Libraries Roll of Honour.

John Abey

Before the war John Abey was the junior assistant in the branch library in Highfield, just outside the city centre.

Highfield Branch Library

This was a good job for a young man – white collar, secure and with the prospect of progression – but John would have earned his money. The hours were long: 09.00-13.30 and 17.30-21.00 in the week, with a half-day on Thursday, and all day Saturday, with staff working shifts. The library operated the physically demanding ‘closed access’ system, with books shelved on steep racks behind a counter and staff climbing up ladders to retrieve borrowers’ choices. Highfield was one of Sheffield’s first branch libraries, state of the art when it opened in 1876, in a building designed by a leading local architect, Edward Mitchell Gibbs.[i] But by the war years, the library service was neglected and Highfield was described by one employee as ‘very gloomy’. Before he joined up, John was probably one of two assistants to the branch librarian, and there would have been several boys employed in the evenings to help shelve books. The library may well have been gloomy, but there was also fun. ‘We often used to have a kickabout with a small ball behind the indicator,’ said the same employee, ‘the librarian never bothered.’ (The ‘Cotgreave indicator’ was 19th century technology: a huge wooden screen showing whether books were available or on loan.)

32 Witney Street, Highfield today. The Abey family lived here.

St Barnabas Church, Highfield today. John Abey and his family worshipped here.

The Highfield area seems to have been the centre of John Abey’s life. Not only did he work there but he lived at 32 Witney Street, near the library, with his parents, his elder sister, Ethel, and younger brothers, Arnold and Stanley. The family attended St Barnabas Church next to the library, and John sang in the choir. His mother Margaret is mentioned in newspaper reports as helping at church fetes, and her children joined in:

Oriental Bazaar at Heeley

The successful Oriental bazaar held in conjunction with Wesley Chapel, Heeley, was reopened for the last time yesterday by a band of 45 prettily-attired children of the Sunday School. There was a large and interested audience to witness the ceremony. … (Sheffield Independent, 24 April 1908)

The ‘prettily-attired’ children are all carefully named, including ‘Miss Ethel Mary Abey’ and ‘Master Jack Sydney Abey’.

John – Jack – was killed, seven months before the Armistice, on 15 April 1918. His regiment was the King’s Own Yorkshire Light Infantry (1/4th Battalion, a volunteer contingent) and he had the exposed job of signaller, responsible for unit communications. Between 13 and 15 April 1918, the battalion took part in the Battle of Bailleul, and its war diary notes intense shelling and the Germans managing to penetrate the frontline on occasion. The battalion was relieved and sent to rest on 15 April, but this came too late for Signaller Abey. On 20 April the Sheffield Independent reported that he had ‘died in hospital at Boulogne, having been wounded the same morning’. His war gratuity of £10 11s 11d was paid to his father, Herbert, and his record notes the usual award of the British War and Victory Medals. Jack is buried in Boulogne Eastern Cemetery (VIII. I. 196). He was 19 years old.

John Hobson

Percy, John and Horace Hobson

John Hobson grins out at the camera, his cap at a cheeky angle. His younger brothers, Percy on the left and Horace on the right, look more guarded. We don’t know when this photo was taken, or by whom, but it was printed in the Sheffield Telegraph on 24 July 1916.

Three weeks earlier, Percy had been killed, one of 19,000 to die on 1 July, the first day of the Battle of the Somme, for three square miles of territory. His body was never recovered, and his name is incised on the Thiepval Memorial along with 72,000 others with no known grave. John and Horace were both ‘severely wounded’, says the newspaper. Within the year, John too would be dead. Horace alone survived the war.

Before the war, John Hobson had worked at Hillsborough Branch Library, in a job similar to John Abey’s on the other side of the city.[ii] Hillsborough was a large and busy suburb, and the branch library seems to have been well used. It opened in 1906, in a converted, 18th century gentleman’s residence, which must have brought problems as well as charms.

Hillsborough Library

John was born in 1892, between Hillsborough and Upperthorpe, the eldest of three brothers and a sister. His father, John Henry, was a greengrocer and then a ‘car conductor’ on the city trams. John’s middle name, Charles, probably came from his paternal grandfather, Charles Hobson (1845-1923), a prominent union leader. Charles was elected to the town council, and prospered until 1903 when he was convicted of corruption. He served three months in prison. Despite this, he remained popular and influential, making speeches and writing for the papers.

It was perhaps inevitable that John and his brothers would volunteer as their grandfather was a member of the Territorial Force Council. He said in 1909:

I am essentially a man of peace. At the same time I disagree with those who preach ‘Peace at any price.’ I would never provoke a fight, and would suffer wrong rather than resort to extreme measures. Nevertheless, circumstances might arise when to remain passive, or inactive, would prove one either imbecile, coward, or void of all manly instincts. (Sheffield Daily Telegraph, 13 February 1909)

The three brothers joined the Sheffield City Battalion, the 12th battalion of the York and Lancaster Regiment. Its men were ‘pals’ – brothers, friends, workmates, schoolfellows etc who enlisted together, to stay together and to fight together. This gave the soldiers loyalty and fellow-feeling, but meant that in a major engagement a village, say, might lose most of its young men all at once. This happened to the Sheffield Pals at the Somme on 1 July 1916, when half the battalion were cut down by relentless machine gun fire and 250 men, including Percy Hobson, died.

John and Horace were invalided back to England, to recover from their wounds, and John was well enough to return to France in January 1917. He was wounded again and died at a casualty clearing station at Bethune on 19 April 1917. He is buried in Bethune Town Cemetery (VI. D. 39), about 50 miles from where John Abey lies. His war gratuity of £8 10s was paid to his wife, Mary, whom he had married in 1915.

A letter home from John’s brother, Percy, was published in the Sheffield Telegraph when he died in July 1916. It perhaps speaks not just for Percy but for his brothers too:

We are having a fairly good time here considering everything … Tons of work; in fact, more work out of the trenches than we get in – though sometimes this does not hold good. All the chaps are in excellent spirits. In the hearts of our men lurks the feeling that with foresight this war could have been prevented. We try not to look at the dull side of things. We are in one of the finest battalions in the present army, and I am proud to be a member of it. I should like to tell you many things about the battalion, but we are not allowed to. I had another fortunate escape on my birthday night. I was the only survivor of a small company. The trench was levelled to the ground—but it was Hobson’s choice—they would not kill me.

——

Sheffield Libraries Roll of Honour

The Libraries Roll, bright with flags, bells and laurel leaves, marks the service of 20 men who survived as well as John Abey and John Hobson. At least seven of them returned to libraries in Sheffield after the war: Benjamin Belch, Arthur Cressey, James Gomersall (Park Branch), H Valentine (Highfield Branch), F Broadhurst (Walkley Branch), F Kellington (Highfield Branch) and H W Marr (Central Library).

John Abey and John Hobson are also remembered, along with 140 other librarians, on the national Library Association Great War Memorial, now mounted in the staff entrance at the British Library in London.

Library Association memorial at the British Library

 

If anyone reading this is related to anyone listed on the Roll of Honour, we would like to hear from you. Please leave a comment below. 

 

[i]  Highfield is still a library, run by the City Council. The building is Grade II-listed, which the Pevsner Architectural Guide for Sheffield (Yale University Press, 2004) describes as ‘Florentine Renaissance’.

[ii]  Like Highfield, Hillsborough remains a Council-run branch library.

 

‘Destroyed by the war…’

This month has seen international commemorations of the Battle of the Somme, which resulted in over a million men being killed or wounded.  Even with this anniversary to remind us, World War One is very distant now.  But in the years immediately following it, the Great War was of course still very much in people’s minds.  Gradually over the 1920s, memoirs, novels, plays, poetry and official histories began to appear.

One of the best remembered today is All Quiet on the Western Front (1929) by Erich Maria Remarque*.  The novel, describing the experiences of German soldiers in Western Europe (where Remarque fought briefly as a conscript), attracted both great acclaim and criticism.  Millions of copies were sold and there were over 20 translations from the original German.  But the book was seen by some in Germany, including the Nazi Party which was then rising to power, as a condemnation of their war effort and even as a betrayal of the country itself.  In 1933, Goebbels banned Remarque’s books and had them publicly burned and Remarque left Germany to live in Switzerland.

Erich Maria Remarque (Bundesarchiv, Bild 102-10867 / CC-BY-SA via Wikimedia Commons

Erich Maria Remarque (Bundesarchiv, Bild 102-10867/CC-BY-SA via Wikimedia Commons

In November 1929, not long after the novel’s publication, Sheffield Public Libraries commented on All Quiet on the Western Front and war literature generally in its publication, Books & Readers.  The terms used are unusually strong for what was a free monthly bulletin listing new books and announcing library news:

 

Remarque’s “All Quiet on the Western Front,” of which there are sixty-five copies circulating in our libraries, has set a fashion in war books which is now being feverishly copied by writers and publishers.  “All Quiet” has been criticised in some quarters because of its frankness.  It has been said that however true the book may be of the German side, it is certainly not true of the British.  Anyone who saw the war at close quarters must realise that “All Quiet” suffers from the defect that all war books must share – the whole truth is too foul ever to appear in print.  J. L. Hodson’s “Grey Dawn, Red Night” describes the gradual moral, spiritual, and physical degradation that sapped away the humanity of a fine soul.  It deals with a war foreign to Bairnsfather and the war correspondents with a restrained yet devastating realism.  It is to the good of humanity and the coming generation that those who were stricken dumb for ten years by their war experiences can now write as truthfully as ordinary decencies will allow about them.  There is no surer encouragement for the efforts of Britain and America to make war unthinkable, than the realisation of what the four years meant to those who in the words of Remarque’s dedication of his book, “were destroyed by the war, though they may have escaped its shells.”

‘…the whole truth is too foul ever to appear in print,’ and the novel ‘deals with a war foreign to Bairnsfather and the war correspondents,’ says the unknown author.  This sounds like bitter experience talking.  No doubt men and women who worked in Sheffield’s libraries suffered and died because of the war, and after ten years the author felt that the truth could, or should, be faced.  The war correspondents dismissed here had perhaps massaged their reports to keep up morale or spare feelings; and the very popular ‘Old Bill’ cartoons of Bruce Bairnsfather were there to make people laugh.  That 65 copies of All Quiet were bought for the libraries in 1929 is an indication of the interest in the war, the need to reflect on it and perhaps to process it, as we might say today.  There are by the way a few copies of All Quiet available from Sheffield Libraries today, including one, in storage, which dates from 1929.  Perhaps the last of the original 65?

Old Bill (By Bruce Bairnsfather (http://www.gutenberg.org/ebooks/11232) [Public domain], via Wikimedia Commons

Old Bill (By Bruce Bairnsfather [Public domain], via Wikimedia Commons

(There are no library copies of the other novel mentioned, J L Hodson’s Grey Dawn, Red Night, also published in 1929.  Hodson was an English journalist who fought in the war and dedicated his novel to the people who went to France with him, but did not return.  Why Remarque’s book survives and Hodson’s does not is not clear.  Perhaps All Quiet is simply a better book, or perhaps the Nazis’ treatment of it ironically ensured its survival.)

Today’s reader is of course conscious that, just ten years after this Books & Readers was published and only 21 years after the war to end all wars, World War Two broke out.  The League of Nations – presumably what the author had in mind when writing ‘the efforts of Britain and America to make war unthinkable’ – had failed.

 

* The novel was one of those read by Reading Sheffield interviewee Sir Norman Adsetts before he went to university. Here is his reading journey.