Alma’s Reading Journey

Alma was born in Rotherham, near Sheffield, in 1928, and lived there until she married around 1950 and moved to Sheffield. She trained at an art school and then, fulfilling an ambition, went to teacher training college.  

We always ask our interviewees how reading changed their lives.  A question which some, including Alma, find difficult to answer.  In Alma’s case, it may in part be because reading has been such an important part of her life.  At first Alma says:

It hasn’t … changed? Now that’s a big question and I’m going to need time to think about that … I’ve just loved reading.  I’ve just loved reading and whatever book I read it becomes part of me really, I think.  But I can’t think of anything it has specifically changed.

Alma was born into a working-class family in Rotherham in 1928 and grew up in the town.  She cannot remember learning to read or being read to as a child, but her family set store by reading.  There were books in the house, along with comics, magazines and newspapers.

Well, I had this lovely aunty Alma who bought me a Peter Pan book … and I wanted to read it and I just read it!  So I must have been able to read.  And I can remember loving that book because of the tissue paper pictures.  So that was my very first book … I had another auntie, Rosie, who bought me another present but it was a Dickens book and I didn’t really like that one, I didn’t like that one.  But I loved Peter Pan, I remember that.

We had books in the house!  We had books in the house.  We had a bookcase! … Well there was a set of Wonderland of Knowledge books which we used to get down and look at those.  I can remember looking at those.  There was a bound copy of Shakespeare’s plays which I remember had sort of vellum covers, we looked at that. A book I did love, it was called A Century of Humour and that was full of short stories, short humorous stories.  I remember reading that, I do remember that.

Dad had a lot of political books.  They were all bound with brown paper, they were … we didn’t touch his books … Oh he [read them], yes, he was very politically-minded.

I had a Chips comic every week … which I must have read from cover to cover.  And we [had] a Picture Post every Friday and I used to sit on the settee, I remember looking at pictures – I loved the Picture Post we had on a Friday and there was a daily newspaper but I don’t remember reading that.  It was a News Chronicle.  So that was my reading at home.

When she was older, Alma turned to the local library.

So off I went to Rotherham Library which I loved going to.  It was like a cathedral.  It was all hushed and quiet and wooden floors and everything cleaning [sic] and polished and nobody spoke to you and all the books were still hard-backed books, you know, with the covers, no fancy covers like they are today.  And I loved it …

Lucy Maud Montgomery, author of Anne Of Green Gables (Credit: Library and Archives Canada / C-011299)

Lucy Maud Montgomery, author of Anne Of Green Gables (Credit: Library and Archives Canada / C-011299)

In those days Alma says she dreamed of being a librarian.  She easily recalls books she enjoyed, like Anne of Green Gables (‘I loved Anne of Green Gables’), the Pollyanna books and J B Priestley.  His novel The Good Companions was a particular favourite:

The best book, the best book which I read over and over again … I did love that.  In fact I read it so much that when I travelled to school on the bus I used to look at people on the bus and fit them into the characters.

Years later, Alma did the same with Dylan Thomas’ Under Milk Wood: ‘that one would be that one, and that one would be that one’.

Given this habit of casting characters, it is perhaps not surprising that Alma enjoyed reading plays too – she mentions Priestley and George Bernard Shaw.  Later this led to performing. ‘I loved the plays and I was in a drama society that I acted in some plays. I love plays, yes.’  She even had a go at writing her own play based on Jane Eyre:

I can remember writing a play, the one where she made her stand on a chair because she went out in the rain walking around a yard or something.  I can’t remember it very well but I do remember that.

Education was a mixed experience for Alma.  From the age of nine, she went to Rotherham Central School (a ‘very good school’) and enjoyed it.  Her ‘really wonderful’ English teachers ‘introduced us to lots of poetry: Walter De La Mare, John Masefield’.  But Alma failed her 11+ exam and had to leave at the age of 14.  The usual option was a job but Alma chose – on impulse – to do something else:

There were three things you could do.  You could go and work in an office … Or you could go to be a nurse … and, as my aunties had all been nurses, they all thought I was going to be a nurse.  Or you could go and apply for an art school.  Now I’d got these three choices.  Now, as my best friend was going to an art school, I decided I would go to an art school so I went for the interview and I got accepted to go to art school for two years.  So from 14 to 16 I was at Rotherham Art School.

Alma says that she was not particularly good at drawing but she was learning and loved it, and she was able to continue her reading in the nearby library.  After two ‘lovely’ years, it was time to leave again.  A teacher asked Alma what she wanted to do.

‘Well really I want to be a teacher.’  I’d always wanted to be a teacher and the fact [was] that I had failed my 11+ and I hadn’t got to high school and I hadn’t been able to do my School Certificate or anything.  I thought that had gone.  I said, ‘I really always wanted to be a teacher,’ and to my surprise he said, ‘But you still can.’  And it was just as if a light had gone in my world; I thought it was wonderful! Wow, I could be a teacher!

Alma could transfer to Rotherham High School, but she would have to get her School Certificate in a year.  ‘And I ran home.  I remember running home to my parents and saying, “I can go.  I can be a teacher!  I can go to the high school!”’

The new school was daunting at first, but Alma seems to have relished the challenge.

I was the only girl in the whole school who hadn’t got a uniform.  Of course, it didn’t matter.  I did have to go for an interview and I did have to do an English test and a maths test but, because the art school used to do maths one morning and English one morning, I was ok with that and so I got in.  So I was in with all these very clever girls, feeling very, very much the odd one out but taking in every word and writing everything and learning like goodness-knows-what and, when we did have the exam, I passed with flying colours.  I did.  I got a distinction in everything. I don’t know why but I did.

When Alma wonders why she succeeded, is it fanciful to think that, alongside good teaching and her own determination, her reading habit had helped?  Here surely is proof of the power of libraries.

So Alma went to teacher training college, with the enthusiastic support of her family (‘they backed me a hundred per cent … and I know it was a hardship’).

Despite the demands of college, reading for pleasure continued.  ‘When I was at home, I can remember reading in bed a lot.’  All this seems to have helped Alma set standards without realising it:

What I can remember is going to my Grandma’s and seeing a little magazine called Peg’s Paper and it was a gaudy cover of a girl hiding behind a door or something and I thought, ‘What’s that?’ and I started reading it, little short stories, and I thought, ‘This is rubbish’.  I never looked at it again, I don’t know who got it, who was having this Peg’s Paper.  I thought I’m not wasting my time reading that rubbish.

Authors she enjoyed include: Jane Austen, Charles Dickens, Jerome K Jerome, Dylan Thomas, T S Eliot and Francis Brett Young.  Of these, Jerome K Jerome still has a special place in her affections: ‘I still like Three Men in a Boat and, if I’m feeling a bit miserable, I read Three Men in a Boat.’

Jerome Klapka Jerome, published by Ogden's. Cigarette card, published circa 1894-1907. 2 1/4 in. x 1 3/8 in. (56 mm x 36 mm) overall. Given by Terence Pepper, 2012. Photographs Collection NPG x136534

Jerome Klapka Jerome, published by Ogden’s. Cigarette card, published circa 1894-1907. 2 1/4 in. x 1 3/8 in. (56 mm x 36 mm) overall. Given by Terence Pepper, 2012. Photographs Collection NPG x136534

Marriage in 1950 changed Alma’s reading habits.  At first, she read less, as she was living with her in-laws who were not readers, and the move to Sheffield meant starting anew in a new library (‘it was very big and I didn’t like it so I didn’t go’).  But when they got their own house in 1952, Alma and her husband both read.  Alma started reading real-life adventure like Thor Heyerdahl’s Kon-Tiki because her husband liked them, and she also remembers biographies, books about ballet which interested her, and classic detective fiction by Agatha Christie, Dorothy L Sayers and Margery Allingham.

And so to the question about reading changing lives.

It hasn’t … changed? Now that’s a big question and I’m going to need time to think about that … I’ve just loved reading.  I’ve just loved reading and whatever book I read it becomes part of me really, I think.  But I can’t think of anything it has specifically changed.

But perhaps it fed your imagination, suggests the interviewer.  And Alma nails it.

It has fed my imagination, yes.  I know very well that I couldn’t live without books.   That’s a dead cert.  I need books, yes.

by Val Hewson

Access Alma’s transcript and audio here.

The Enduring Appeal of Anne of Green Gables and L M Montgomery

Anne had brought her slate down on Gilbert’s head and cracked it – slate not head – clear across.

Gilbert Blythe was my first literary crush.  I said this recently to a group of women, and got more than one nod of agreement.  I first read Anne of Green Gables (1908) by L M Montgomery (1874-1942) because it was my mother’s favourite childhood book – she described her best times at school as the rare afternoons of ‘quiet reading’.  When at about the age of ten, I found the ‘Anne book’ in my local library, I fell upon it.  Over the next few years I probably borrowed it more than any other book.  (It helped that, like Anne, I had red hair.  I hated geometry too, although my mother suspected, unfairly, that I was just imitating Anne and could learn to love it if I tried.  And then, of course, there was Gilbert.)

Lucy Maud Montgomery, author of Anne Of Green Gables (Credit: Library and Archives Canada / C-011299)

Lucy Maud Montgomery, author of Anne Of Green Gables (Credit: Library and Archives Canada / C-011299)

I am not alone in my fondness for this book.  Some of the Reading Sheffield interviewees remember it well.  Dorothy (b. 1931) recalled:

My absolute passion was Anne of Green Gables…I adored all the series.  If I had had a daughter…she would have been called Anne.

The hold of this remarkable book is as strong as ever.  It is easily Maud Montgomery’s most popular story and remains in print after a century, with millions of copies sold in many languages.  Prince Edward Island has a healthy Anne/L M Montgomery tourism industry.  There have been around 20 film and television adaptations and related productions (the star of the 1934 movie, Dawn O’Day, even changed her name to Anne Shirley) and a new version is due in 2016, with no less than Martin Sheen playing the role of Matthew Cuthbert.  The adventures of an orphan in rural, late 19c Canada apparently remain as enjoyable as ever, and Anne has retained her gift for friendship over the years.

For those who don’t know, Anne of Green Gables is the story of a young girl given a home by a brother and sister living on a farm on Prince Edward Island.  What no-one knows as she arrives on the Island is that the orphanage made a mistake.  The request was for a strong boy to help with farmwork, not an imaginative, sensitive, lonely chatterbox of a girl.  Miss Marilla Cuthbert, who does not like her plans overset, intends to return her but is persuaded not to, and so Anne gets the home she needs and spinster Marilla and bachelor Matthew the child neither expected.  Her adventures last for a further five books, well into adulthood, and include the incident quoted above, in which Gilbert, on first meeting Anne, unwisely pulls her hair and calls her ‘Carrots!’  She is, you see, very sensitive about the colour and longs for it to be a ‘handsome auburn’:

Oh I could endure anything if only I thought my hair would be a handsome auburn when I grew up.  It would be so much easier to be good if one’s hair was a handsome auburn, don’t you think?

L M Montgomery, it is said, based her novel in part on a newspaper story about an orphan girl sent in error to a couple who wanted a boy.  (Does anyone know what happened to the girl?  I long to know.)  But she also clearly drew on her own difficult childhood and later life.  Unlike Anne, she was not orphaned as a baby, but did lose her mother very early and afterwards saw little of her father.  She was brought up in a community like Avonlea by her maternal grandparents in an austere household.  The Cuthberts and their Green Gables farmhouse were probably based on relatives living nearby (you can visit their house still).  Maud had little money and worked as a teacher to fund university, although unlike Anne she did not complete her studies.  Both married and lost children.

The real Green Gables (copyright Pam Gibson)

The real Green Gables (copyright Pam Gibson)

On the strength of this, it is easy to over-estimate the autobiographical element of Anne of Green Gables.  I certainly assumed this as a child.  But Anne Shirley and Maud Montgomery are not the same.  Anne knows sadness but has, through Gilbert and her family, the security to help her overcome tragedy.  Maud’s journals, published long after her death but with her permission, apparently show a troubled woman who had a difficult marriage with a depressive man, who lost a child and did not always get along with her surviving sons, all while living a very public life.  It comes as a huge shock to the reader of the Anne books to learn that their author may have committed suicide in despair and weariness.

Anne is then not so much the real as the might-have-been-Maud, just as her other characters like Emily of New Moon and Jane of Lantern Hill appear to explore aspects of Maud’s life.  Emily develops her writing talents and Jane eventually re-unites her estranged parents in a way Maud never could and is secure in their love.

Maud's bedroom (copyright Pam Gibson)

Maud’s bedroom (copyright Pam Gibson)

For Maud, there was a long period in the critical wilderness (all those happy endings, all that folksiness and whimsy, all those adjectives…) but ordinary readers apparently always appreciated her.  She created a secure, rural world based on the one in which she grew up (and possibly warmer and funnier than the real thing), which is enormously attractive. As are her spirited heroines, who are unusual, as heroines should be, but not so much so that we cannot identify with them.  Thousands of girls probably wanted to be Anne and/or one of the others.  I certainly did.

Maud Montgomery is not alone in this type of literature: Laura Ingalls Wilder, Jo March and her sisters, Rebecca of Sunnybrook Farm, Pollyanna and Katy Carr are all cousins of Anne (some more distant than others).  But I think Anne has the edge over these others, even Jo and Laura.  Through Anne, Maud remains more popular than other writers of her period and type, no matter what the critics thought or think.  If you read them in childhood, there seems a good chance that you will remember them with affection in adulthood.  As Reading Sheffield interviewee Florence Cowood (b. 1923) said: ‘I just liked the story and the struggle in [it].’

Did you read Anne of Green Gables or other books by L M Montgomery?  Why do you think they remain popular?

By Val Hewson

Note: Anyone wanting to know more about L M Montgomery should read Mary H Rubio’s excellent biography, Lucy Maud Montgomery: The Gift of Wings (Anchor Canada, 2008), which made me think about the woman who created Anne Shirley.  And the Lucy Maud Montgomery Research Centre at the University of Guelph is well worth visiting.