Betty Newman

Betty Newman

Betty was born on the 9th September 1935.

She is being interviewed by Ros Witten.

 

[At Betty’s request, she and Mary Grover have amended a few details in this transcript for clarification.]

Ros Witten: This is an interview conducted by …  can you tell me your name?

Betty Newman: Betty Newman.

RW: Can you spell that please?

BN: B E T T Y N E W M A N

RW: And today’s date is Thursday the 13th October. [2012]

RW: And you were born … ?

BN:  1935.

RW: What was the month?

BN:  September.

RW: September the …

BN:  20th.

RW: And you lived in which area of Sheffield?

BN:  My home was at Norton Lees but I spent an awful lot of time at Darnall.

RW: Right, so between 1945 and ‘65 would it have been Norton Lees?

BN:  Oh, well …

RW: Both?

BN: Both. My mother was always ill. I can never remember my mother not being ill and I spent an awful lot of time during the war particularly at my Grandmother’s because father was away. So that was where I went and I did a lot of my young schooling at Whitby Road School [as well as at Norton Lees]. But then mum died when I was 13. I was at grammar school by then. Mum being ill had a great influence on my life generally.

RW:  Oh I see, right. So did she read to you? Did anyone else read to you?

BN: I can’t remember who taught me to read but I could read a long time before I went to school. I fished this out actually. [Betty shows interviewer a novel called A Peep Behind the Scenes by Mrs Walton published by The Religious Tract Society]. I’m quite amazed but it’s true that I could read that before I went to school.

RW: That’s very impressive isn’t it?

BN: Not that particular copy, but that was my Grandma’s, and I didn’t help to clear her house out so I don’t know what happened to her copy. But I bought that in a junk shop some time afterwards. That was the first book I ever read.

RW: This was a story was it?

BN: It was a story about, a Bible story [inspired by the parable of the Good Shepherd].

BN: My Grandmother’s had been a school prize. It had a bookplate for a school prize in her copy. But that was the first book I ever read.

RW: What kinds of books were you reading?

BN: My Grandma had a lot of bound copies of the Strand magazine. I used to read Sherlock Holmes in those. And when I went to school I could read. I was floundering because I could read. I think if it had been now it would be a bean bag, but then it was a cushion. And when the other children were learning to read I sat on this cushion and read my own book. I can’t remember learning to read. It was something I always could.

RW: Yeah, something early on. So what other kind of books were you reading when you were young?

BN: I’ve written my notes down here actually. The first book, oh no, not the first book, that was A Peep Behind the Scenes and I read it many times. But at school one of the teachers in the infant school had Enid Blyton’s Book of the Year. I don’t know if you know that but it had a chapter or section for each month of the year. A poem, a play, some nature notes for each month. And we used to do the plays at school and I, I suppose I was a bit fortunate that my mum and my then teacher were friends and mum put her name down on a waiting list at a bookshop for one of these books because you had to put your name down and wait. So Enid Blyton’s Book of the Year influenced me a great deal and Enid Blyton’s Nature Lover’s Book did. Later it came out in four paperbacks. And that’s how I taught my own children nature.

RW: So this was in primary school?

BN: Oh, yes, infant school.

RW: You were quite young. And then when moving on to when you were a bit older, what were the first books that made you feel like you were reading a grown up adult book?

BN: I always had done you see, because I always read these and I’d always read Sherlock Holmes. I don’t know what, I can’t remember actually. But I like Milly Molly Mandy and I really went back and I like Milly Molly Mandy books.

RW: So I suppose in a way if you were reading the adult books, things like Strand magazine and Sherlock Holmes they were the ones that were adult even though you were young.

BN: Yes, even when I was very tiny I was reading adult books. And somebody gave me a set of Dickens but they were like potted versions of Dickens and I read those when I was young. And then I went on later to read Dickens and I’ve read all the Dickens ever written I think.

RW: So when you were a teenager, when you were at grammar school, maybe 14/15. What were you reading then that made a big impression?

BN: Oh, nothing, not very much.

RW: Nothing you can think of.

BN: I mean we had enough to do, set books, at grammar school.

RW: Yes.

BN: And then we discovered Women’s Own and women’s things and we were reading agony columns and things. And you suddenly go off the reading bits then. And I had comics, I was given comics and we used to swap them. But my mother used to read poetry. She was in a wheelchair most of the time. And you know now you can buy pockets to go over chair arms to put books in? Well she had things like that over the wheelchair and she always had poetry books in there. So I’ve always read a lot of poetry, I still do read a lot of poetry. I can’t remember my father reading very much. I know he did read cowboy books and things but I don’t think he read a great deal. My father was a musician and we always had music and his relaxation was listening to music not reading I think.

RW: And the books that you had, were there books in the house?

BN: Oh yes, we always had books in the house. Oh, at junior school I had the potted versions of Dickens, and I had the Water Babies and Peter Pan. Somebody gave me, which I have still got, a first edition of Peter Pan. And it’s nothing like Peter Pan that you get on pantomimes, the original. So I read those at junior school, and then I say at grammar school I don’t remember reading very much independently. Except a book called Continuity Girl, and I can remember that. And I got it out of the school library and it was about a continuity girl in the film industry. And that was my short term ambition, I was going to be that. But then I say we had Woman, Woman’s Own, magazines. But those are the only two I can ever remember reading. It was all about make-up and agony columns and  … oh dear me!

RW: The books that you got hold of did you get them from the library or buy them second hand, or get them from friends or as presents?

BN: They were presents mostly, so a lot of them were second hand because during the war you couldn’t get books.

RW: What about the library? Did you go to the library?

BN: Oh yes, I was always in the library, but I can’t remember.

RW: You can’t remember much about what you borrowed. Would that be Darnall library then?

BN: Mm, no it was Attercliffe; there wasn’t a Darnall library.

RW: Oh no, Attercliffe, there wasn’t a Darnall, Darnall’s new.

BN: We used to go to the baths, it was the same trip, the baths and the library. Grandma had a neighbour who used to give me books but I can’t remember much about them.

RW: So you got a lot of encouragement at home to read, your grandparents and your mother.

BN: Yeah, and I always read a lot of poetry. My mum I think knew by heart every word of Tennyson.

RW: So nobody in your family would have made you feel reading was a waste of time?

BN: No, except strangely enough, father would never let us read in bed, because when I eventually got married, I said to my husband, “I want you to promise me two things, that I can read in bed and that I don’t have to eat cabbage”. [laughs] I do nearly all my reading in bed now.

RW: So that’s the main place you read at the moment. And when did you find time to read? You weren’t allowed to read in bed so would it have been after you’d done your homework?

BN: Yes, yeah, I used to read on the bus as well. I’ve always read on buses.

RW: And if your father wasn’t reading but listened to music would you be sitting listening to music and reading as well?

BN: Yes, it was always things we did together.

RW: He was listening to the radio and the gramophone.

BN: The gramophone mostly, well we did have a radio but it was the gramophone mostly.

RW: He bought his own records?

BN: He bought records. I used to be sent, every Saturday I used to go to Wilson Peck’s  to buy a record. Dad had all the catalogues.

RW: Were they expensive then? They must have been affordable.

BN: They were affordable. We weren’t rich but we weren’t on the breadline.

RW: Yeah, so you could afford a little treat.

BN: They used to be about 3/ 6 or something like that.

RW: Which didn’t seem too much?

BN: Well, we could afford them. And we had a new record nearly every week. Dad used to pick them out of the catalogue and let me go to buy them.

RW: That’s brilliant. Was that classical music?

BN: Oh mostly, yes. Purely was really. I remember being enamoured with Donald Peers singing ‘By a shady nook, By a babbling brook’. Father called it caterwauling [laughs]. I can remember. Imagine what he would say now to some of the stuff that goes on.

RW: So did you read the books that you had, you were talking about the magazines, would you say you were slightly guilty about reading those because they weren’t quite …

BN: Oh no I wasn’t guilty at the time. It was just a part of growing up. The agony columns must have been absolutely bland but they were … you know …

RW: They were quite interesting stuff when you’re young.

BN: Interesting stuff when you’re 14.

RW: Interesting when you’re trying to find out about stuff.

BN: They wouldn’t be interesting to 14 years now!

RW: Any books you read then that you think ‘oh I wouldn’t want to read that again’?

BN: Oh there’s one or two books, mm, I can’t really remember. When I was at school I was so busy reading everything else. Always history things, anything history I was reading. I went on to do history [laughs].

RW: Would you say, when you had to read a lot of texts they were a bit highbrow?

BN: Oh no!

RW: You liked them? You enjoyed them?

BN: Oh yes. The only thing I didn’t like at school, but I think it was the way it was taught, was Shakespeare. I do like it now. I have read most of the plays now. Not over and over but I have read them. And I was also busy reading the Bible, because I thought one should read the Bible. And I did read that in my teens. It’s like the Forth Bridge, I read it over and over again. I get to the end and start again. I read one chapter every night. [laughs]

RW: Would you have read any historical novels or anything like that?

BN: Oh no, I’ve never liked novels very much.

RW: Oh you’re not really a novel reader? Right.

BN: It had to be something, like this Continuity Girl. It had to be something that was tangible. I loved that book. I can see it now. I got that out of the school library. Something this is tangible, that is credible.

RW: Something realistic. But usually not fiction?

BN: Not fiction. I suppose Dickens was the nearest I got to fiction.

RW: Quite realistic fiction.

BN: I don’t think he really is fiction. [laughs]

RW: No, he was trying to fictionalise what was happening in the world.

BN: I went Tuesday night to see Claire Tomalin … I was a bit disappointed with it actually.

RW: Oh. And would you say that reading has changed your life in any way?

BN: Oh no.

RW: Just part of your life?

BN: Just part of my life. It’s always been part. At one time I worked in the university library. But I don’t think we read very much then. One thing, we had copies of Lady Chatterley before it was released. We all read that. [laughs] We read it when no one else had it.

RW: So was that like a guilty thing?

BN: No, it was just, you know, I was in my 20s – it was just the thing to do. Lady Chatterley was down in the stacks so we read it. I don’t think we knew it was there, really until all the court case, the hoohaa came up about it. But we all read that. And then when it was released, on general release, I went to buy it and they asked me if I was old enough. [laughs] I was a married lady by then, but they asked if I was old enough.

RW: What about if, mm, you said you read some of the Shakespeare plays, but would you say films influenced your reading much?

BN: No, I never liked films much; I’ve only ever really gone if someone else, I’ve never gone of my own volition, only if someone else has said let’s go. Or you know going out with lads, they always wanted to the cinema. But I don’t think I’ve ever been under my own steam. I think I’ve only seen about two films in the last 20 years. I’ve got a friend who goes two or three times a week and she used to say to me,”Oh let’s go and see that”. But then she says, “I’m not bringing you again because you either fall asleep or you wriggle”. Which I do, I sit and wriggle.

RW: Not something you’re interested in particularly. So is there anything else you want to tell me Betty? I mean we’ve covered quite a lot.

BN:  Well how far do you want to go up?

RW: Well you just come up with some things you want to say.

BN: When I was 22 I bought Thomas Armstrong’s The Crowthers of Bankdam. It really is fiction, but I bought it to read on a long journey. I’ve used up and spoilt, worn out some many copies. It’s my comfort read.

RW: Oh that’s your comfort read, that’s interesting. What was it called again?

BN: The Crowthers of Bankdam. It’s about a Yorkshire mill family with …

RW: What’s the author?

BN: Thomas Armstrong. And I’ve worn out so many copies, and I’m worrying now because the last two or three I’ve had have been from charity shops.

RW: Have the library got a copy do you know?

BN: Oh no, it’s one of the ones they throw away. It’s broken into about five pieces now, which is easier to read in bed actually because I can pick a section up.

RW: It’s in sections now.

BN: But I don’t read very much fiction at all. That is my one. That was from being 22. I read and have re-read Delderfield and I read his fiction as well.

RW: So that’s family saga type thing isn’t it.

BN: But I don’t read his historical novels, I read his other novels but I can’t be doing with them. Mostly I read biographies. I’ve at least three by the bed, or on the bed, and I read whichever one I’m in the mood for.

RW: It’s nice to have more than one going at the same time.

BN: Oh I’ve always got at least three books.

RW: Are you a library member now? Is that where you get your books from? And charity shops you mentioned.

BN: Yes I am. I also buy my books from a firm by the name ‘Postscript’. Some come from charity shops.

RW: And do you swap books with friends?

BN: No, no I don’t swap. I very rarely, I’ve only got one friend I lend to as well. My husband lent one of my books to somebody and I never got it back. I’ve only one friend I lend to. My very best friend lives in Blackburn, and if she comes over here, we never take books but we always start one and there’s one by the side of my spare bed now waiting for her to take back with her. I just read biographies.

RW: And you’ve got your history group, so you’re reading history with your history group perhaps?

BN: No, no.

RW: Oh, it’s an active history group?

BN: It’s a local history group, Newfield Green. And just generally do local history, not so much what’s under the ground there.

RW: Not the archaeology.

BN: No, in fact one of our members is an archaeologist.

RW: But more the social history?

BN: Yes, generally, what people do. And we do have speakers but we can’t afford speakers all the time so we take it in turns to do a …

RW:  … presentation yourselves?

BN: I tend to use a book that’s called Sheffield Rebels.

RW: Oh yes, it’s a newish one, I know the chap who wrote it actually; he would probably come and give you a talk actually.

BN: Who’s that?

RW: He’s written the book, about the rebels. David someone. He’s written the books about the rebels. He does walks around Sheffield.

BN: David Price.

RW: That’s it, David Price. He’s done some talks in the library for Off the Shelf. The Trouble Makers, that’s it. He has organised walks as well.

 

 

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‘Books. This will be good.’

Kath Kay told us here about a Christmas play put on for the children of Walkley and Woodhouse Libraries in 1949 and 1950. Now she shares further memories of libraries in Sheffield, Kent and London. Kath was born at home in Crookes, a suburb of Sheffield in 1931.

It’s been an interesting career. I’ve worked as a school, public, government and university librarian. Working in libraries all my life has given me great curiosity to find things out. Now I’m constantly using my iPad. It’s all part of the information process.

Kath Kay in a school play (Kath, wearing a hat, is in the third row, second from the right)

Kath Hunt, as she was then, left Notre Dame High School in 1947. She was 16 and had no clear idea of what she wanted to do. Stay on at school? Or go to the Commercial College? Then she got a job in the first-floor book department at Boots on Fargate in the centre of Sheffield. The staff ‘had to pencil a very small letter B, near the spine, on page 17 of every book’, Kath says, the idea being that it would help track books if they were stolen.

Edith Sitwell, by Rex Whistler (1929)

One of the bookshop customers was Dame Edith Sitwell, whose family home, Renishaw, is near Sheffield. In the Renishaw museum, there are memories from Boots staff: ‘I was fascinated by a one inch square ring she wore. I wondered how she could wear a glove over it.’ And another said, ‘…she would shake hands with us and we all bobbed a tiny curtsey. … A wonderful fairy-tale experience.’ Kath has her memory too. ‘Long red nails, long hands, lots of rings, very grand,’ she says instantly, nearly 70 years later.

The job in Boots set the course of Kath’s life. ‘Books. This will be good,’ she thought. ‘Perhaps I’d like to work in a library.’

Walkley Library

At first, there were no vacancies in Sheffield Libraries, but then Jack Walker, the Deputy City Librarian, said, ‘You can start next week.’ On 2 January 1948, Kath joined the staff at Walkley Library, a Carnegie library and one of the busiest branches in the city. By coincidence, the young woman who lived next door to Kath started the same day. In the fashion of the time, she wore her hair in a ‘peekaboo’ (that is, falling over one eye). When the formidable City Librarian, J P Lamb, came on a visit, he greeted her by saying ‘Ah, I see we have Veronica Lake with us today.’ (For younger readers, Veronica Lake was a Hollywood star famous for the peekaboo. It was so popular that, during World War II, the US government asked Lake to change her hair, as the impractical style was thought to cause accidents in factories.)

Veronica Lake, with her trademark hairstyle, and Joel McCrea in Sullivan’s Travels (1941)

Kath liked Walkley and her job. She remembers with affection the librarian, Mr Broadhurst, known to his staff as ‘Broady’, who used to throw Christmas parties at his home in nearby Northfield Road. There was also her friend, Olive Phillips, the Children’s Librarian, with whom Kath wrote and produced the play, The Magic Story Book, in 1949. ‘We loved it. We were young. We just did it.’ By 1950 Kath had been posted to Woodhouse Library, where she put the play on again, and was chronicled in the local newspaper. After Woodhouse came a job in the children’s library at Hillsborough. Kath remembers that staff were often transferred without warning from one branch to another and that all her professional training took place on the job.

Kath left the library service in 1952 when she got married.

I didn’t have to leave but my parents had opened a general store and I went to help out. We lived with my parents.

By 1954, Kath and her husband were established enough to sign the contract for a house. Kath returned to Sheffield Libraries, but

the only job was in Central Lending, and meant sometimes sitting on the enquiry desk which wasn’t a good experience. I’ve never been so frightened in my life.

She asked for a transfer and was sent as a Senior Assistant at Attercliffe Library, which turned out to be much better.

Tommy Osborne was the librarian. He had a tied cottage at Chatsworth, and told us that in the awful winter of 1947 he couldn’t get to work for eight weeks. But he used to invite us out there in the summer.

Tommy Osborne, his wife and some of the staff from Attercliffe Library at Chatsworth (photo by Kath Kay)

Some of the Attercliffe Library staff, at Tommy Osborne’s cottage at Chatsworth (photo by Kath Kay)

At Christmas 1958, ‘the Attercliffe children’s librarian made a model of Sputnik’, the satellite the Russians had put into space the year before, and suspended it from the library ceiling.

There was one ritual Kath recalls which applied no matter the library. Every Friday afternoon, someone from each branch made the journey, long or short, to the ‘Bin Room’, as it was called, at the Central Library. The purpose was to ‘collect the cleaners’ wages and clean tea towels’, but the occasion turned into an informal staff meeting, where you ‘met and chatted with everyone from the other libraries’.

In 1958 Kath became pregnant with her son, Chris, and left the library again. A couple of years later, the family moved to London, where Kath’s husband, a Customs & Excise official, had been posted. Kath got a job, mostly part-time, in a school in Kent for about eight years, where in the few hours a week she worked, she had to:

devise a system for a library of 20,000 books and choose new books with the teachers. I thoroughly enjoyed it and was there for years. It was convenient for looking after my own children. The library was on the top floor of a new 6th Form block.

In time this job led to another – library assistant in the science and engineering library at the Polytechnic of Central London (now the University of Westminster). ‘I got the job,’ Kath says, ‘because I had worked with 6th formers.’ Kath also looked after quite a few graduates doing a year’s work experience before doing their Masters course in Librarianship.

Upperthorpe Branch Library

In 1987, after 27 years in the south, Kath returned to Sheffield. She worked in the Health and Safety Executive library for a year and, in 1989, returned to Sheffield Libraries for the third and last time. Her job was at Upperthorpe, a grand Victorian building and the oldest branch library in the network. Someone had the idea of running some classes and said: ‘You’re interested in sewing and things. You could pass on some skills.’ The classes didn’t quite materialise, but a discussion group, the Tuesday Club. did. One member wrote:

I found [the Tuesday Club] filled a need in my life that until then I hadn’t realised I had. To meet new people who were not already sharing my hobbies and pursuits. … I had not realised how diffident I had become over the years, I didn’t want to meet new people and avoided even casual conversations on the bus or in the shops, in fact I had built a nice comfortable shell around my life and resented any intrusions. … I can’t say the Tuesday Club has changed me into a different person, but it has certainly broadened my outlook and made me friendlier, and I have found a lot of the confidence I had lost over the years.

You can read the letter in full here.

Kath retired in 1992, at the age of 61, but she was on the standby list until she was 65, working when she was needed, at Stannington and Walkley, where she had started all those years before. And librarianship remains a family profession. Kath’s daughter became a university librarian. And Kath enjoys her retirement.

The Secret Garden is still one of my favourite books to read, and I have a first edition now.

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